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DEC 7 - DEC 13
With agonizing music on the airwaves and tacky decorations in the hallways, it can be hard to escape the capitalist cheer of those trying to move units in this holiday interim. But there's no need to stay at home frozen with fear or launch a polysyllabic tirade to get you kicked out of the mall. Just take advantage of this batch of cultural escape hatches, like fantastic flying machines that speedily whisk you away from mercantile mind-controllers to a land of happily marauding Santas. Get down right here in NYC, travel to Memphis, or take it right off the deep end to La La Land, but catch this flavor before it's flown the coop, and spread it... |
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The all-new A6 > ever before.
With a class-redefining interior, powerful new engine choices, and technological innovations like the new Multi Media Interface, the new A6 is fast becoming the luxury sedan of choice for discerning drivers. Visit your local Audi dealer to experience the greater beauty, power, and technology of the new A6.
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| | Retired from his position as the pop music critic for the New Yorker (where he was ably replaced by Sasha Frere-Jones), British novelist Nick Hornby (High Fidelity, About A Boy) has since turned his rapt
attention to a monthly column for the Believer called "Stuff I've Been Reading." Just in time for the holidays, McSweeney's has released a collection of these pieces in The Polysyllabic Spree, all proceeds from which go to children's charities. In an event that also benefits Housing Works, Hornby reads from the book and then joins in a discussion with author and NPR star Sarah Vowell (Take the Cannoli), who voiced Violet in The Incredibles. (JA)
Note: The $14 admission includes a copy of The Polysyllabic Spree.
  
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| | Of all the head-scratching circumstances in life, the fact that a Yoruban priest produced Gerardo's megasmash "Rico Suave" inches near the top. In fact, Osunlade crowns many lists, mainly for his soulful remix skills — his deft
hands have freaked the likes of India.Arie, Musiq, and Eric Benet. The Yoruba Soul Mixes, his latest, is a mishmash of unreleased and rare reworks spanning
numerous cultures. Consistent throughout are deep house grooves, accompanied by the gorgeous voices of Malian Salif Keita and Cape Verdean Cesaria Evora, and
hipsters like 4Hero and Spacek. Tonight at S.O.B.'s, he makes the whole world feel at home on the dance floor. (DB)
 Who was Osunlade's first musical hero? The third and fifth correct answers each win a pair of tickets to this show.
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DISCUSSION
Mid-Century Masters: Jazz, Modernism, and Romare Bearden
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| when: | Wed 12.8 (7pm) |
| where: | Whitney Museum of American Art (945 Madison Ave, 212.570.3676) |
| price: | $8 |
| links: |
Event Info | Romare Bearden |
| | A citywide celebration of the remarkable African-American artist Romare Bearden began in September, the month of his birth in 1911, and continues through March, the month of his death in 1988. The main attraction, The Art of Romare Bearden, fills the galleries of the Whitney Museum with innovative and influential collages, photomontages, and watercolors. Tonight, a group of contemporary talents, including award-winning poet Sean Singer, improvisational painter Mark Bradford, audio-collagist Jennie C. Jones, and critic/curator Franklin Sirmans — one of the organizers of the upcoming Basquiat retrospective at the Brooklyn Museum — gathers here to consider the importance of jazz, modernism, and all things Bearden. (PL)
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| | Spellbinding soul singer Raúl Midón has broken out as the R&B talent to watch, with his crisp, funky acoustic guitar approach and his array of vocal tricks, from scatting to trumpet sounds. The fact that he's becoming something of a phenomenon is evidenced by collaborations with artists as diverse as Queen Latifah, Rickie Lee Jones, Louie Vega, and Spike Lee; to top it off, Midón will also play at the Sundance Film Festival next year, bringing even more attention to this prolific, one-man soul band. If you dig Stevie Wonder and Donnie Hathaway, consider your evening booked. (JM)
Note: There is a $12 drink minimum at this show.
What caused Midón's blindness? The second correct answer wins a pair of tickets to this show.
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| | Choreographer Tere O'Connor is not afraid to confront the elusiveness of the human condition in both its comic and tragic aspects. He shuns the theatrics and narrative forms that characterize many contemporary dance companies in favor of a more abstract interpretation. In Frozen Mommy, O'Connor tackles questions of thought and memory by allowing disparate elements of movement to converge,
mimicking the workings of the human mind. Throughout the piece, incongruous but distinctive elements like stark choral soundscapes and idiosyncratic facial expressions transport the audience into O'Connor's terrifying, humorous, and above all, poetic world. (SP)
Which two of O'Connor's works have won a New York Dance and Performance Bessie Award? Fourth correct answer wins a pair of tickets to this event.
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| | In timely holiday fashion, Lecoq-influenced downtown theatre mavericks the Flying Machine return to Soho Rep, following up their vanguard production Signals of Distress with a singular take on Mary Shelley's infamous "family tale." Eschewing the technical for the mechanical, the troupe effectively deconstructs the classic monster story — often using only bodies, basic set pieces, and original music. Director Joshua Carlebach oversees it all, with resident company members (including co-founder Richard Crawford) heading up the cast in this gothic winter's tale of what it means to truly give. (PPC)
Note: Performances continue through Sat 1.8 (Wed-Sat: 7:30pm; check Smarttix for special holiday schedule).
Describe, in 50 words or less, the ultimate flying machine. The two most creative answers each win a pair of tickets to this event.
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| | From his homebase in the City of Brotherly Love, Josh Wink has been packing dance floors across the globe for over a decade with acid-tweaked, twisted techno anthems such as "Don't Laugh" and "Higher State of Consciousness." His Philly-based label, Ovum Recordings, is currently celebrating ten years in the biz with a compilation of its finest tracks, ranging from smooth, jazzy house to deep, dubby tech, and further still to the darker sides. Wink's DJ sets have a similarly wide range, but we imagine he'll stick to the housier side of things in keeping with Cielo's warm, inviting sound and cozy layout. (BK)
Note: Made Event members can RSVP and get in for $5 before midnight.
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| | As dance-punk reaches the point of near ubiquity, the much-hyped genre's newer stars have begun surfacing in curious places, even Canada. Toronto's Controller.Controller
show true promise with this year's History EP, uniting gloomy post-punk with a dance floor-ready tempo. Signed by Paper Bag, the female-led quintet draws comparisons to Public Image Ltd. and the Rapture alike. Vocalist Nirmala Basnayake offsets the band's jagged, angular rhythms with a sexy croon not unlike Debbie Harry's, adding intermittent snatches of David Byrne's signature sing-speak. Though Controller's subject matter is undeniably dark, their
sound is inviting, never abrasive, and the outfit's knack for crafting melodic songs and powerful live shows cannot be ignored. (JPC)
Note: Suicide-influenced rockers ARE Weapons headline tonight's performance.
What score did Pitchfork Media give Controller.Controller's History EP? The 15th and 17th correct answers each win a pair of tickets to this show.
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| | It may not make sense from a geographical point of view, but Moving Units have found a way to situate Los Angeles squarely between New York and London. The West Coast trio's
recent debut full-length, Dangerous Dreams, firmly placed them on their city's dance-punk throne — the same seat occupied by the Rapture in NYC and, more recently,
Bloc Party across the pond. Moving Units' music is more than just a straight amalgamation of the two, but with its incessant grooves and art-rock flourishes, it provides the perfect bridge
between them. Live, they're equally resourceful, improbably delivering just as much
energy and excitement with fewer able bodies than their peers. (DL)
Note: An Albatross and the Bravery open the show at 8:30pm.
What's a good name for a unit of movement? The most creative answer wins a pair of tickets to this show.
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ART: Opening
100% Acid Free
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| when: | Fri 12.10 (7-9pm) |
| where: | White Columns (320 W 13th St, 212.924.4212) |
| price: |  FREE |
| links: |
Event Info |
| | Positing recent developments against the past several decades of austere minimalism and Bad Art, curator Micaela Giovannotti focuses on artists sharing a premodern relish for draftsmanship and exquisite, illustrative detail. Working on archival paper, each contributor brings fresh perspective to an age-old media. Inspired by pulpy sci-fi imagery, Tim Maxwell's minutely detailed ballpoint pen drawings are an acid fantasy on a huge, expanded scale — as are Nicola Verlato's charcoal allegories of postmodern art. More intimately, Angelo Filomeno turns a broken foot into his own apocalyptic graphite mythology, while Joyce Korotkin's cameos reference art world characters and symbolic motifs, and Steve Mumford's watercolors from his Baghdad Journal resonate in the era
of instant media feedback. (AM)
Note: The exhibition continues through Sun 1.30 (Wed-Sun: 12-6pm).
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| | Monkey Town, an immersive environment in which guests are surrounded by four screens, is the perfect venue in which to get lost in Sagan's Unseen Forces. This audiovisual project begins with a mesmerizing portrayal (incorporating flashlights) of the big bang theory, set to an otherworldly score that combines synths and glitchy trip-hop, followed by a trio of black-and-white shorts that slyly put late, great cosmic thinkers in compromising fictional situations. With a name derived from astronomy wonder Carl Sagan, the multimedia collective — comprised of Blevin Blectum, J Lesser, Jon Leidecker, and Ryan Junell — does its namesake proud. Also playing tonight are a collection of music videos from the Dead Texan, a collaboration between Adam Wiltzie (Stars of the Lid) and video artist Christina Vantzos. (DM)
Note: Reservations are recommended.
Tell us, in 50 words or less, who your most beloved dead Texan is, and why. Our favorite answer wins a pair of tickets to the show.
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| | One Ring Zero, the duo whose initial reason for being was to save the endangered claviola, are a bit of an acquired taste. They employ other misfit instruments, like
the theremin and megamouth, to realize a circus-like sound. Their most recent project, As Smart as We Are, establishes a new musical genre — lit rock. Bandmates Michael Hearst and Joshua Camp decided to leave the lyrics to the literary lot, asking the
likes of Rick Moody, Paul Auster, Jonathan Ames, A. M. Homes, and Myla Goldberg to
collaborate. Tonight, they perform the entire album with the aid of their wordly
conspirators. (MB)
Note: There is a $12 drink minimum at this show.
Who was the only writer to refuse ORZ's invitation to contribute lyrics to As Smart as We Are? The sixth correct answer wins a pair of tickets to this show.
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| | Promoting the release of the magazine's third issue, we are graced tonight with a long-overdue, Repellent-style offering of electronic music's cutting edge. Live acts include the melodic minimalists Neulander, deemed by Logo magazine to be "the spiritual heirs of Kraftwerk — if only Kraftwerk allowed soul and emotion into their lives." Following them onstage is Snax, one half of Playhouse duo Captain Comatose, whose pronounced love of performance promises to stretch from broody yet energetic electro to "romantically sleazy" disco. Upstairs DJs include Satellite Records' Plexus and Enabler Network's Lisa "Bubbles" Hsu, with NYHappenings' Dan Selzer and paper-bag-wearing electroclasher DJ Unknown keeping it sweaty downstairs. (AC)
Note: Free Red Stripe from 9-10pm, to accompany the screening of Bigger Than Us, a documentary on techno and hip-hop. Neulander plays at 12am, Snax plays at 1am, and Plexus plays at 2am.
What is nature's best repellent? The two funniest answers each win a pair of tickets to this show.
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SPECTACLE
SantaCon
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| when: | Sat 12.11 (10am) |
| where: | Various locations |
| price: | FREE |
| links: |
Event Info |
| | A debauched, all-day romp for rowdy Clauses, SantaCon has been keeping Christmas unreal in NYC since 1998. In costumes that are a variation on a single theme, last year's gathering garnered upwards of 400 surly Santas (e.g. Devil Santa, Santana, Shrunken Santa) for a tour of the city that included bawdy Christmas carols, mischievous gift-giving (i.e. distributing adult videos to passers-by), innumerable bar-hop stops, snow-bowling in Central Park, and some Santa stripping for good measure. The party convenes again this year to put the spirits back into "holiday spirit," so ready your flask and start growing (or buying) a beard to join in the illicit fun. (JKG)
Note: Information will be posted on the SantaCon website on the morning of the event.
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ART: Opening
Erik Parker: Let the Good Times Roll
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| when: | Sat 12.11 (6-8pm) |
| where: | Leo Koenig, Inc. (249 Centre St, 212.334.9255) |
| price: | FREE |
| links: |
Event Info | Erik Parker |
| | Erik Parker pumps an encyclopedic knowledge of art, music, and contemporary issues into painterly forms resembling cocoons, intestines, and maps. Thematic in content, Parker's paintings grow organically as he graphically bombs the canvas with bright colors, swirling doodles, and some well-chosen text. His new large-scale works mix hippie super-graphics with cartoon character meltdowns, while grappling with issues of abortion (expressed in a self-portrait titled The Killer in Me & the Killer in You), genocide, and the current political climate (Let the Good Times Roll). In the process, Parker's brushes and pens become the visual art equivalent of two turntables and a microphone, lending a free-form rhythm to his play on words. (PL)
Note: The exhibition continues through Sat 1.22 (Tue-Sat: 10am-6pm).
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MUSIC: Electronica
Transelectronic Winter Festival
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| when: | Sat 12.11 (9pm) |
| where: | The Tank (432 W 42nd St, 212.563.6269) |
| price: | $7 |
| links: |
Event Info |
| | This eclectic assemblage of aural architects proves once and for all that electronic music need not be cold and emotionless. Type Records has long nurtured artists who remain true to their personal tastes, and Khonnor — the label's youngest, at only 18 — is no exception. His electro-acoustic folk pop's melancholic fuzz is soft enough to cradle anyone's aching heart; it sees weightless melodies drift, but they remain grounded by his oddly commanding fragility. Sonic wizard (and flavorpill staffer) RJ Valeo, meanwhile, knows quite well that all sound is music, and his meticulous compositions glow with a glitchy crystalline sheen. With Type labelmate Goldmund's genre-bending wonders and Praveen's minimalist melding of beats into his own recorded piano and drums, tonight's gathering is sure to get your blood bubbling. (LCB)
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| | With a name like Memphis, one might expect this duo — comprised of Stars frontman Torquil Campbell and pal Chris Dumont — to explode with soulful vocals and ecstatic instrumentals, the hallmarks of their namesake's native sound. This Memphis, however, favor not the Stax sound, but a decidedly of-the-moment sonic texture: the heady mix of glitchy electronics and blissed-out psych-folk. Campbell speak-sings of love's frustrations over a fingerpicked acoustic and a skittering beat, with songs that evoke an unlikely (and heavily sedated) collision between Nick Drake and Squarepusher. American Analogue Set's Andrew Kenny opens the show, playing his own hushed ballads. (TG)
Sum up Memphis, Tennessee, in exactly ten words. The two best answers each win a pair of tickets to this show.
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| | After seven years building a rep as LA's premier cross-cultural turntable jam, Root Down makes its
New York debut at Table 50. Bay Area DJ J-Boogie celebrates the release of Dubtronic Science's Live! In the Mix,
fusing his band's live music with a typical J-Boogie mash-up. Root Down's music is all about the dance floor — salsa, cumbia, dub, and hip-hop come together for refined heads who want to shake it. Also appearing: That Kid Named Miles, Dusk, Loslito — Root Down regulars known for
crossing genre lines with impunity — and DJ Center of New York's Open Thought crew. (BB)
What is the name of the KUSF hip-hop radio show that J-Boogie co-founded in 1993? Ninth correct answer wins a pair of tickets to this show.
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SPOKEN WORD
The Moth Presents La La La: Stories about Los Angeles
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| when: | Mon 12.13 (7:30pm) |
| where: | Crash Mansion (199 Bowery, 212.982.7767) |
| price: | $20 |
| links: |
Event Info |
| | Los Angeles has been immortalized in films such as Chinatown and Sunset Boulevard. It is also, as all RHCP fans know, the city in which Anthony Kiedis lives out his lonely existence. Tonight, this sprawl of dreams and smog serves as muse for the Moth's LA stories. The Moth offers fiction for the ADHD generation: five ten-minute stories with the City of Angels as the theme. Andy Borowitz, one of the wittiest writers this side of Rodeo Drive, hosts, and readers include Sue Costello and Teri Garr. (JS)
Which Los Angeles water engineer was Chinatown's Hollis Mulray loosely based on? The eighth correct answer wins a pair of tickets to this event.
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DJ
Foundsound Presents Cyhl's New York City B-Day Bash
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| when: | Mon 12.13 (10pm) |
| where: | Guernica (25 Ave B, 212.674.0984) |
| price: | $5 |
| links: |
Event Info |
| | A newcomer out of Philly, Foundsound Records focuses on minimal techno and microhouse composed of field recordings and nonmusical samples rather than the program presets that comprise the usual digital palette. Its first release, Rip It Cookie Muenster, is coproduced by label heads Someone Else and Miskate, and showcases the found sound aesthetic on three infectious, accessible tracks that pulse and crackle with an entirely singular feel. Matthew Dear contributed a remix, and technocrats including Magda and Crackhaus are on board for future projects. Tonight, Someone Else plays live, with DJ sets from Miskate and birthday boy/label cofounder Cyhl. (CL)
Note: Open bar from 11pm-12am.
Describe, in 50 words or less, the last sound you found. The best three best answers each win a Foundsound record.
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| | Like 10cc's classic "I'm Not in Love," the Junior Boys' "Birthday" is as self-deluding as it is
captivating. Singer Jeremy Greenspan's soft tenor laments his own forgotten birthday, yet he tempers his complaints with an "I guess" and other halfhearted appeasements. A whirlwind 2004, however, should keep those apologetics at bay. While Last Exit, the band's full-length debut, can't quite match the KIN-released "Birthday" or "High Come Down" (which bites Dr. Dre's "Forgot About Dre") 12-inches, it has garnered the Canadian outfit mainstream press, a Domino Records deal, and some impressive dates, including tonight's Joe's Pub gig. This is what it sounds like when doves sigh. (YS)
Which publication stated that the Junior Boys' latest album is "Perfect for the heat of the night as well as the morning after"? The fourth correct answer wins a pair of tickets to this show.
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| | Winter Miller's affecting comedy The Penetration Play digs deep inside
its characters' desires and motives, peeling back their emotional
layers one at a time. The plot revolves around the knotty relationship
between two female best friends, one gay and one straight, and their
interactions with the latter's mother at her suburban New
Jersey home. When the desperation of a young woman's unrequited love
crosses paths with the midlife crisis of a dissatisfied housewife, no
one emerges unchanged. The three actresses revel in the play's snappy
dialogue, which in turn is facilitated by director Josh Hecht's
wickedly swift pacing and Miller's powerful prose. (SP)
Note: Performances every night except Tue 12.7.
Where did Miller get her MFA? The ninth and tenth correct answers each win a pair of tickets to this event.
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| | A documentary about teaching photography to the children of Calcutta prostitutes, Born into Brothels nimbly sidesteps the sentimentality, dourness, and sanctimony that could so easily sink such a subject. Codirector Zana Briski, a New York-based photographer, originally intends to photograph the mothers, but the kids' lively curiosity sweeps her up with the same force that seizes this film. She obtains cameras for the children, whisks them away on field trips, and even navigates Indian bureaucracy to score them educations. Scenes and characters are introduced through their eyes (via their great snapshots), and you soon realize that these kids don't pity themselves — they merely embrace the changes they help to materialize. Bright and bold, this is a fresh take on a much-maligned topic: liberalism. (LR)
Note: A Q&A session with the filmmakers Zana Briski and Ross Kauffman follows the screening on Wed 12.8 (8:15pm).
Which award did Born into Brothels pick up at this year's Sundance Film Festival? The 12th correct answer wins a pair of tickets to this event.
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ART
Delia Brown: Paintings
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| when: | Now through Thur 12.23 (Tue-Sat: 10am-6pm) |
| where: | D'Amelio Terras (525 W 22nd St, 212.352.9460) |
| price: | FREE |
| links: |
Event Info |
| | With a disheveled glamour verging on sensational excess, Delia Brown's portraits and group paintings are daring send-ups of art world snobbery and social climbing — her revealing works almost have the air of glossy-mag outtakes. Brown's landmark painting in this show is Party, a grand tableau that serves to both mock and celebrate three prominent Whitney Museum curators, who glare judgmentally at the viewer, cocktails in hand. Other works feature laconic nudes, seductive hipsters, and Brown herself, who has become an iconic fixture on the gallery scene — a sort of Warhol for the Sex and the City generation. (JK)
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| CD REVIEW: John Tejada, Logic Memory Center |
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Plug Research
Released Nov 2004
$11.99 (Amazon)
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Emerging from beneath the polished veneer of minimal house and techno, pop has been slowly bubbling to the surface of electronic dance music, as artists like Matthew Dear drop vocals over beds of complex microsamples, snaring a wider audience with their meatier hooks. On his 10th studio album, John Tejada strikes a balance between this formula and his trademark techy sound, honed over years of productions for scores of labels — and one high-profile remix for the Postal Service. "Strange Creatures" sets the alien, near-robotic cadence of vocalist Kimi Recor against thinly sliced samples that dash in and out of the soundfield; "Possessive Patterns" adds an assertive snare/kick to supple, off-kilter rhythms; and the album's most minimal cut, "Loose Change," demonstrates Tejada's compositional talent with a limited palette. (CJN)
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| GIVE 'EM SHELTER: Rock 'n Roll Camp for Girls |
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Since its summer 2000 launch, aspiring young female rockers have been migrating from across the country to Portland, OR's Rock 'n Roll Camp for Girls, where star instructors and visiting performers have included the likes of Sleater-Kinney, Mirah, and the Gossip. At the camp, girls aged 8-18 learn not just how to rock, but also how to navigate the music industry, with additional workshops teaching music video production, giving guidance on cutting a deal, or offering instruction in designing promotional materials. Now, it's time for the city that sponsored the so-called "rock explosion" to get in on the action. This Sunday, December 12th (6pm) the Knitting Factory hosts a benefit — featuring Ida, Aileen Kills, the 303's, Ken (with Tsunami members), and the Consultants — for a brand new NYC offshoot, the Willie Mae Rock Camp for Girls. Now the only question is: can they get Karen O. to be a guest instructor? (JKG)
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| STREAMS: DIRTY |
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Once again we pay a visit to our friends at DIRTY for their genre-spanning treasure trove of rare mixes and live performances. With this installment, the DIRTY staff play their current top 25 — ranging from Nobukazu Takemura to Kim Hiorthoy and the Post Industrial Boys. Meanwhile, Air spin their favorite widescreen Morricone-esque selections, while Recloose holds things down on the dance music front with a mix of Detroit electro-disco recorded live from the Rex Club in Paris. (CJN)
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| CREDITS |
| Header Design: |
| Co-pilot | Francesca Tallone | | |
| Editors: |
| White Knight | Dixie Ching | | On Falcore | Jocelyn K. Glei | | Running start | Çemile Kavountzis | | Dive | Paul Laster | | Airplane | Sascha Lewis | | Astral projection | Doug Levy | | Jump | Mark Mangan | | Hang glider | Colin J. Nagy | | Triple salchow | Kristin Savarese | | Parachute | Philip H. Sherburne | | Helium | Peter Stepek | | | | |
ABOUT US
flavorpill NYC is a free weekly mailer covering music, arts, and cultural events in New York. All listings are pure editorial, never paid advertisements. No money is accepted from venues, artists, or promoters. Read more about us, and spread it...
FEEDBACK
Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants.
EVENT SUBMISSIONS
To let us know about an upcoming event that you think belongs here, please email us at events.
The first three people to tell us this week's credits theme each win a CD or some other surprise flavorpill giveaway. |
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| Contributors: |
| Trampoline | Robert Amesbury | | Diving board | Jami Attenberg | | Pogo stick | Jay Belin | | Yoga | Derek Beres | | Catapult | Brian Blessinger | | 747 | Mindy Bond | | Cannon | Justin A. Carter | | Alien abduction | Peter Philip Clarke | | Hoverboard | Joe P. Colly | | 99 Red Balloons | Alex Cuadros | | Fasting | Adam Davids | | Hop | Todd Goldstein | | Pegasus | Carl E. Hagen | | Kite | Betty Kang | | Hot air balloon | Jessica Kraft | | Fairy dust | Chris Lamb | | Ski jump | Jake Lancaster | | Melatonin | Andrew Maerkle | | Gulfstream | John McCormick | | Dragon | Nick Parish | | Jet pack | Stephan Paschalides | | Magic carpet | Lisa Rosman | | Concorde | Joshua Stein | | Invisible jet | Yancey Strickler | | Dream | Andrea Toochin | | Rocket boots | Peter J. Wolfgang | | |
| Production: |
| Helicopter | Anjuli Ayer | | Skydive | Lucy C. Beach | | Transcendental meditation | David Morrow | | Zeppelin | Sebastian Rasp | | Griffin | Toby Warner | | ICBM | Emily Welsch |
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