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 Logik One |
Cultural Stimuli in NYC
Issue 270: allied flavor
Internationally speaking, alliances don't seem to be in the cards of late, with the EU failing to lure Iran with its bonds-not-bombs approach, sudden off-schedule elections upcoming in Germany and Japan to re-establish mandates, and the abrupt resignation of Israel's Minister of Finance (and former Prime Minister, Netanyahu). But contrary to the global tide, here on our NYC beat, we're indulging in a little love-in as we roll deep with gangs that make sense together: James F**king Friedman and Syrup Girls bang out the tracks, grime heartthrob Kano crosses the pond to be joined by Diplo, David Gordon Green pairs two classic '70s films, a team of artists reinterpret Sasquatch, and French musician Colleen arrives with her underwater circus of sounds. Clap a world-weary friend on the back, and spread it...
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flavorpill is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
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Almost every stage of our manufacturing and marketing happens in the same building in downtown Los Angeles.
This efficient, vertically integrated system means heightened quality control and greater flexibility, allowing us to respond faster than anyone who is outsourcing.
Our goal is to bring people the clothes they love to wear. This is how we do it. |
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| MUSIC: Avant-Gardening |
Colleen w/ A Hawk and a Hacksaw
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The cover of The Golden Morning Breaks, the second release from striking French avant-gardener Colleen, depicts every eight-year-old girl's fantasy: a long-locked fairy nuzzling a unicorn. The instrumental album's melancholy chimes suggest mermaid merry-go-rounds, electric eel ferris wheels, and blowfish bumper cars, while the darker sighs relocate ambient drones inside derelict toy factories, where the playful and the sinister are inseparable, and grins quickly sour into grimaces. Colleen's live performances tenderly assuage these dichotomies, staking out emotional gray areas swathed in layers of pink, as she caresses a violin, plucks at strings, and turns her smiling eyes from beneath her bangs to the crowd, which looks on in astonishment. (YS)
Note: Neutral Milk Hotel-alum Jeremy Barnes opens with his excellent ethno-folk ensemble, A Hawk and a Hacksaw. Colleen and HaaH also perform with the Dirty Projectors at Glasshouse on Tue 8.16.
 Which Canadian Leaf Label musician has recently released an album on Domino? The second and third correct responses each win a pair of tickets to this show.
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| MUSIC: Indie Rawk |
Madison Strays w/ the Five O'Clock Heroes, New Blood Revival, and the Like
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New Yorkers have a habit of begrudging LA its mild weather and easy fashion, and somehow SoCal rarely lives up to our sonic standards, but tonight's openers, brassy girl trio the Like, are out to prove us wrong. Part of LA's burgeoning teen-rock set, the indie popsters have made quite a name for themselves in Tinseltown and won credible admirers live — garnering comparisons to the Pretenders and Blondie. So can an entire city be wrong in its adoration? They're really like, y'know, great. (LT)
Note: After the Like, catch blogger darlings Five O'Clock Heroes and the rock 'n rollicking New Blood Revival. Local emo psych-outs Madison Strays headline, offering a glimpse at what the Bravery were perhaps (over)reaching for.
Which the Like producer has also worked with founding riot grrrl group Bikini Kill? The first two correct responses each win a pair of tickets to this show.
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| MUSIC: Duende / Indie Rock |
DeVotchKa w/ Clap Your Hands Say Yeah!
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DeVotchKa plumbs the depths of gypsy duende — or sorrowful expression — with its eclectic orchestration of bouzouki, theremin, guitar, drums, and vocals. Giving us a dose of that tuba-driven oompah energy, the band also mixes mariachi melodies with spaghetti Western themes, klezmer riffs, and rhythmic passages that erect the scaffolding around which Nick Urate wraps his haunting vocals. A sort of Slavic Radiohead, DeVotchKa's quartet is an unpretentious, proper fusion of musical trends on the verge of a breakthrough. To open, the traveling carnival of avant-indie pop that is Clap Your Hands Say Yeah! bring their unique brand of layered, synthed, and psyched-up indie rock back for a garrulous homecoming. (JK)
Which block near the South Street Seaport was the first in the country to have electric lighting? The first four correct responses each win a DeVotchKa EP.
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| DJ |
BANG! feat. James F**king Friedman w/ the Syrup Girls
| when: |
Wed 8.10 (11pm) |
| where: |
China One (50 Avenue B, 212.375.0665) map |
| price: |
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| links: |
The Syrup Girls |
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With so many kids rocking decks in NYC, it's necessary to recognize true students of the craft like the Syrup Girls and James Friedman. Said to have played one of the best-ever sets at MisShapes, and recently featured in The New Yorker's Pop Note, Vivian Host and Kristen Vincent have bona fide skills, mixing crunk, booty-tech, grime, and 2-step corkers. Friedman — who's releasing a mix CD on Defend Music in the fall — brings even the most informed techno and electro fans further into the loop, while never losing sight of his mandate to keep the kids dancing. (CJN)
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| ALSO ON WED |
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MUSIC: Garage Soul
The Detroit Cobras
Wed 8.10 (7:30pm) Mercury Lounge (217 E Houston St, 212.260.4700) map $12
Event Info |
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Rock City's "most original cover band" brings its snarling garage update of glossy, yet obscure, '50s rock, Motown, and soul. So go ahead: substitute your head nod for a little twist and shout. (LT)
 
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MUSIC: Tablatronic
Kollectiv feat. Karsh Kale w/ Zakhm, DK, and Dimmsummer
Wed 8.10 (9:30pm) Scenic (25 Avenue B) map $7
Event Info |
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Karsh Kale's cross-country South Asian electronica excursion moves its NYC monthly to Scenic tonight. With left coaster Janaka (Dhamaal) and residents Zakhm, DK, and Dimm Summer, expect a heavy dose of tabla fury. (DB)
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| FILM |
Chinatown (1974) and DJ Tim "Love" Lee
| when: |
Thur 8.11 (6pm / screening at sunset) |
| where: |
Empire-Fulton Ferry State Park (Water and Main Sts, DUMBO, 718.802.0603) map |
| price: |
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| links: |
Event Info |
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Despite the urban planning-ish subject matter of covert land grabs and water supply plots, Roman Polanski's Chinatown remains one of the best late-era noir films, thanks to its subtly orchestrated narrative twists, keen character development, and neat detective tricks. Jack Nicholson has never been more dapper, Faye Dunaway has never looked so good getting slapped around, and director-cum-actor John Huston has never seemed so skeevy. Though its settings are primarily city streets and dusty arroyos, the crux of Chinatown's suspenseful secret ties in nicely with the theme of this year's Movies with a View program — water. To get us into a fluid state of mind, Tummy Touch founder Tim "Love" Lee drops an opening soundtrack till sunset. (JKG)
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| THEATRE |
My Heart Split in Two
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Playwright Terry Withers has devised a story of romance and death so
elaborate, so improbable, so rife with sharp, spinning spikes that
it defies production. Thus, Lucid Theatre is staging his theatrical
extravaganza as a radio play. A loose plot exists solely to provide
background for the uproariously lurid dialogue between four yuppies
trapped in an Alaskan snowstorm and a crazy mountain man with a crush
on a snowman. A live recording of the play, replete with extensive
sound effects, is offered as a podcast on the company's website, for those who take their tongue-in-cheek humor on the go. (SP)
Which My Heart Split in Two cast member was the original SlamMaster at the Nuyorican Poets Cafe? The third correct response wins a pair of tickets to a performance.
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| ALSO ON THUR |
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DANCE
Trisha Brown Dance Company
Thur 8.11 (8:30pm) Central Park SummerStage (Rumsey Field at 72nd St, 212.360.2777) map FREE
Event Info |
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Trisha Brown's precision modern dance choreography spins poetry from seemingly random geometric shapes and patterns. Witness the 35th anniversary of this grand dame of dance companies with performances of Astral Convertible, PRESENT TENSE, and Geometry of Quiet. (CS)
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MUSIC: Jazz Funk
Lonnie Liston Smith
Thur 8.11 (9:30pm) Joe's Pub (425 Lafayette St, 212.539.8778) map $25
Event Info |
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Hugely popular with the acid jazz community, Astral Traveling '70s funk pioneer Lonnie Liston Smith — think a chilled out Herbie Hancock — explores his time-tested soul repertoire with old and new friends. (JM)
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| FILM |
Grizzly Man
| when: |
Opens Fri 8.12 |
| where: |
Various locations |
| price: |
$10.75 |
| links: |
Grizzly Man |
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Timothy Treadwell — the subject of director Werner Herzog's latest documentary — gives new meaning to the term "freak of nature." A Stuart Smalley-style nature advocate with a surfer-boy demeanor and a Prince Valiant bowl cut, Treadmill careens between fawning over wild animals and raging against "the people world" that endangers them. He even lovingly cradles fresh bear feces with the wonder of a mother regarding her infant. With narration by Herzog himself (as laughably dour as Treadmill is trusting), Grizzly Man resembles a Christopher Guest-style mockumentary — an unsettling, compelling feat given Treadmill's much-publicized demise in the jaws of the grizzlies he purported to protect. (LR)
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| MUSIC: African |
Gino Sitson
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Imagine for a moment if world-renowned jazz singer Bobby McFerrin was born in Cameroon, had a gospel choir director as his mother, and grew up playing exotic drums: you might get a singer as multi-talented as Gino Sitson. Five years ago Sitson moved to New York, and his special talents for integrating jazz, gospel, blues, and traditional African rhythms were immediately embraced by the jazz community. Recently, Sitson's tour across the US with tonight's quartet — led by master bassist Lonnie Plaxico — has inspired audiences with universally appealing music that integrates the best of contemporary jazz, primal African beats, body percussion, and Sitson's magnificent, soaring voice. (JM)
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| MUSIC: Grime |
Roll Deep Crew feat. Wiley w/ DJ A-Trak and DJ Ayres
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With and without Dizzee, the Roll Deep Crew have been grime's top clique since before the scene assumed that (disputed — thanks, Wiley!) moniker. Widely known for mixtapes and live spittin', the posse has finally dropped a proper album, the excellent In at the Deep End. The record sees them break ranks with the lo-fi, aggro claustrophobia of their brethren, adopting instead an R&G (rhythm & grime, innit) sound, with smoother, sample-heavy productions and pop hooks. While this obviously broadens their potential appeal, it's no simple cash-in. Tonight, at their debut NYC performance, the Crew display their thoughtful approach to breaking out of the kind of boys-only stylistic ghetto that hurt drum 'n bass. (JL)
Note: Turntablist A-Trak and local fave DJ Ayres kick off the proceedings with homegrown hip-hop. Roll Deep collaborator Kano plays the Knitting Factory tomorrow.
Who is the youngest female MC to break into London's macho grime scene? The fourth and fifth correct responses each win a pair of tickets to this show.
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| ALSO ON FRI |
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MUSIC: Indie 'n Western
Smog
Fri 8.12 (8pm) Bowery Ballroom (6 Delancey St, 212.533.2111) map $15
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Smog — Bill Callahan's warbly, intimate baritone and his acoustic guitar — swathes the Bowery in undulating, nostalgia-inducing melodies from A River Ain't Too Much to Love. (FAY)
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| MUSIC: Low-Power Pop |
Pernice Brothers
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Joe Pernice, the prison counselor-looking frontman of the Pernice Brothers, has erected a single-minded career out of being sad and lonely. The Scud Mountain Boys, his first band, played soft and embarrassed alt-country, and Chappaquiddick Skyline and his current outfit do much the same. So color us surprised when Pernice released "Moonshot Manny," a jaunty ode to Boston Red Sox leftfielder Manny Ramirez as his beloved Sox made their improbable World Series run. Despite its title, his band's new album, Discover a Lovelier You, might be its least dour record yet. Must've been Red Sox disappointment — not a broken heart — that was crushing poor Joe's spirit all along. (YS)
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| MUSIC: Grime |
Kano w/ Diplo
| when: |
Sat 8.13 (10pm) |
| where: |
Knitting Factory (74 Leonard St, 212.219.3132) map |
| price: |
$12 |
| links: |
Event Info | Kano | Diplo |
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From white-label hustler to heartthrob king of London's burgeoning grime scene, Kane Robinson has come a long way. The unfaltering flow of his Cockney patois polishes his segue from the raw rhythms and ballistic beats of the UK's underground to a slick school of infectious US hip-hop. On his official debut, Home Sweet Home, Kano mixes and matches his trademark verbal arrhythmia with clips of abbreviated orchestras, Black Sabbath guitar riffs, and the chipmunk soul of requisite slow jam "Brown Eyes." On "Reload It," a scratch-happy Diplo layers stuttering vocal edits, monster bass drops, and snapping breakbeats under Kano's nimble, MC-baiting braggadocio. Diplo teams up with him again tonight, spinning bubblecrunk, dancehall, baile funk, and dubstep for good measure. (IB)
What is the ultimate booty-shaking song and why? Our two favorite responses in 50 words or less each win a pair of tickets to this show.
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| ALSO ON SAT |
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DJ
Warm Up feat. Lovebug Starski w/ DJ Lindsey and Jason Blackkat
Sat 8.13 (3-9pm) P.S.1 (22-25 Jackson Ave, LIC, 718.784.2084) map $8
Event Info |
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Lovebug Starski coined the term "hip-hop," and his residency at seminal club Disco Fever helped define the sound. Today, he graces P.S.1 with old-skool style, accompanied by DJ Lindsey (Negroclash) and Jason Blackkat. (BB)
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| MUSIC: Reggae |
Barrington Levy w/ Tokyo Ska Paradise Orchestra and DJ Eddie Stats
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One of the original voices in Jamaican dancehall, Levy released his first record when he was only 14 years old. Three decades and innumerable hit singles, crossover attempts, and compilations later, his stage bravado and smooth vocal stylings are recognized to be the blueprint for today's ragga performers. His classic "Under Mi Sensi" was remixed into a jungle anthem, and contemporary collaborators include Bounty Killer, Beenie Man, and Snoop Dogg. Although today's outdoor audience of reggae/roots fans may dilute his hit tune "Here I Come" with an enthusiastic group sing-along, Levy's soulful tenor will always be inimitable. (CN)
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| FILM |
Movie Night with David Gordon Green
| when: |
Mon 8.15 (7:30pm) |
| where: |
IFC Center (323 6th Ave, 212.924.7771) map |
| price: |
$10.75 |
| links: |
IFC Center |
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With its bold yellow opening credits, Bionic Man-style sequences, and sometimes treacly emotional moments, director David Gordon Green's most recent feature, Undertow, betrayed clear '70s-era inspirations. When talking about the film at last year's Tokion Creativity Now conference, Green — who also directed the excellent George Washington and All the Real Girls — said that he was trying to explore genre clichés while not fully falling under their sway. Green introduces us to the decade's messy bravado tonight, as he presents two of his faves: Thunderbolt and Lightfoot from Michael Cimino (who went on to direct the rangy, widely acclaimed films Deer Hunter and Heaven's Gate) and Sydney Pollack's Jeremiah Johnson. Between them, they star two of our longest-lasting Hollywood men: Clint Eastwood and Robert Redford. (JKG)
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| ALSO ON MON |
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DJ
Deep Space feat. DJ Harvey
Mon 8.15 (9:30pm-3:30am) Cielo (18 Little W 12th St, 212.645.5700) map $10 / $5 before 10pm
Event Info |
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DJ Harvey's legendary back story spans the history of dance music. With releases on labels like Ministry of Sound, Mo'Wax, and Dorado, his style is eclectic and wide open. (BB)
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| PHOTOGRAPHY |
Shadow Play: A Photographic Journey Though Indonesia
| when: |
Now through Sun 8.21 (Tue-Sun: 11am-6pm) |
| where: |
Asia Society (725 Park Ave, 212.288.6400) map |
| price: |
$10 |
| links: |
Event Info |
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Culled from the legendary archives of the Magnum photojournalist agency, Shadow Play presents a complex and contradictory portrait of Indonesia as seen through several generations of photographers. The exhibition is grounded by Henri Cartier-Bresson's classic black-and-white documentary shots from the end of the Dutch colonial era. More recent photos depict the extraordinary diversity of contemporary Indonesia's many islands in vivid color: humid market scenes, teeming mosques, Hindu temples, and the heart-wrenching aftermath of this year's tsunami. Images that linger — a mosque resembling a Chinese pagoda, a prayer ceremony precariously overlooking a volcano, the ornamental swirls stenciled on a cast of shadow puppets — provoke a wanderlust for Bali and beyond. (JK)
Under which artist did Henri Cartier-Bresson study painting? The third correct response wins a pair of tickets for an afternoon with architect Shigeru Ban.
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| ART |
Sasquatch Society
| when: |
Now through Sat 9.3 (Tue-Sat: 11am-6pm) |
| where: |
Sixtyseven (547 W 27 St, 3rd Fl, 212.967.2260) map |
| price: |
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| links: |
Event Info |
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Bigfoot, or Sasquatch, has long been researched, "sighted," and documented. Now there's an entire group show inspired by the numerous organizations devoted to this mysterious non-human primate. Peter Caine recreates his usual world of highly disturbing animatronic characters, imagining the elusive yeti disguised as a secret agent embracing a UFO in Nazi regalia — a bizarre pastiche of conspiracy imagery. Jennifer Sullivan envisions a crunchy Bigfoot, aptly armed with guitar, harmonica, and trail mix. Other versions include Megan Whitmarsh's delicate embroidered beasts, while Tony Luib renders a large macaroni version. Whether channeling their inner monsters or reacting to eyewitness accounts, this creature's eccentric followers find creative energy in his dubious existence. (JF)
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| FILM |
The Gang's All Here (1943) and Cobra Woman (1944)
| when: |
Fri 8.12 - Thur 8.18 |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
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Helmed by Busby Berkley, The Gang's All Here is a
banana-shaped time capsule of all the
good-natured glamour that Hollywood lacks these days. Carmen Miranda, the oh-so-lipsticked, famously malaproptastic "lady in the tutti-frutti hat," co-stars as a Brazilian performer swiveling each night at a New York supper club, while the more white-bread Alice Faye spoons with the broad-shouldered soldier who may or may not be a cad. That said, plot matters not in this kaleidoscope of a truly technicolored musical that swings to no less than Bennie Goodman and his orchestra. It's the gams, the gorgeous dance sequences, the surprisingly slap-happy wit, and the clothes — ah, the sequined, satin, polka-dotted clothes. Bananas. (LR)
Note: This plays a double feature with Cobra Woman (1944).
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| FESTIVAL: Theatre |
The New York International Fringe Festival
| when: |
Fri 8.12 - Sun 8.28 |
| where: |
Various locations |
| price: |
$15 per show |
| links: |
Event Info |
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It's difficult to resist the New York Fringe Festival's massive theatrical scale: 200 companies! 1300 performances! It also helps to point out the past success stories of little plays that could (Urinetown, Matt and Ben, etc.), but these tend to be the exception rather than the rule among the fest's often frivolous fare. Yet, this year's roster does promise some fresh and original offerings. Musicals abound as usual, but solo shows are all the rage, with Barry Smith's self-described Jesus in Montana: Adventures in a Doomsday Cult and Melanie Hoopes' body-fat-obsessed Weight sure to stick out from the crowd. (SP)
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| ALSO ONGOING |
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ART
No Apology for Breathing: The New Deal Era and Now
Now through Sun 8.28 (Fri-Mon: 12-6pm) Jack the Pelican Presents (487 Driggs Ave, 718.782.0183) map FREE
Event Info |
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Crafty scavenger Matthew Lusk resuscitates New Deal-era faith in the ordinary American with art from recent Cooper Union grads to Chelsea veterans, using paintings, photographs, and installations to reflect past and present socio-economic landscapes. (CEK)
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GET DRESSY, BESSY: Refinery29 |
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Refinery29's elegant, carefully calibrated new website makes uncovering your inner 'nista as easy as clicking. The site houses a floorplan-style guide to the editors' 15-20 favorite mens and womenswear shops around the city, perusable by categories like Vintage, Footwear, and Jewelry (for women), and Dressy, Casual, and Outerwear (for men). Whereas most fashion sources' focus skews relentlessly toward "what's next," Refinery29's store and product descriptions have an unassuming friendliness to them, with profiles that often delve into a storefront or designer's history. This first edition also wraps in features on a girl-crazed art exhibit, an essential art pub, and a look at a new space in the Meatpacking District. To get the DL on site updates, just subscribe to the weekly emails. (JKG)
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CD REVIEW: Mobius Band, The Loving Sounds of Static |
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Ghostly International
Released August 2005
$11.99 (Amazon)
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When guitar-based bands pick up a sampler or add a dollop of laptop, sometimes the result can sound forced, but this is certainly not the case with Mobius Band, who easily mesh electronic music and rock. After the excellent taster that was this year's well-received City vs Country EP, Static is the band's sound fully realized — earnest songwriting combined with both live and programmed drums, expansive guitars, and delicate electronic melodies. This formula gels best on the 4/4 album opener "Detach," but it is on "Taxicab" that the dynamics afforded by their multi-genre approach are most apparent: after being tightly restrained under a tip-toeing, minimal drum-machine cadence, the band explodes into a wall of sound, tapping a visceral source — much more Shields than Autechre — that proves static can come from delightfully disparate places. (CJN)
 Which other gloomy post-punk band did the sound engineer for The Loving Sounds of Static also work with? The third and fourth correct
responses each win a copy of this CD.
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STREAMS: Beats in Space |
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Recorded at New York University's student-run radio station WNYU, Beats in Space is easily one of the best mix shows around. Host Tim Sweeney's sets range from electro, classic industrial, and warped disco to the glossiest new techno. His acute ear is also finding him gigs around the world and, in turn, more and more big-name producers and DJs are stopping by the studio for a guest slot. This week, check Kompakt's chief lieutenant, Superpitcher, spinning minimal techno and DJ Kaos throwing down a nice mix of old and new electro and disco. Finally, producers du jour Lindstrom & Prins Thomas tap their record crates and emerge with an eclectic set of psych disco. (CJN)
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Superpitcher: Beats in Space exclusive mix (Minimal techno)
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DJ Kaos: Beats in Space exclusive mix (Electrofunk)
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Lindstrom & Prins Thomas: Beats in Space exclusive mix (Psych disco)
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| Header Design: |
| No Names | Logik One |
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| Editors: |
| Bloodhound Gang | Jocelyn K. Glei | | Zulus | Jake Lancaster | | 18th Street | Doug Levy | | People's Nation | Sascha Lewis | | Triads | Andrew Maerkle | | Sopranos | Mark Mangan | | Crips | Colin J. Nagy | | Vice Lords | Stephan Paschalides | | Counts | Kristin Savarese | | Hell's Angels | Claire Smith |
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| ABOUT US |
| flavorpill NYC is a free weekly email magazine covering music, arts, and cultural events in New York City. All listings are pure editorial, never paid advertisements — no money is accepted from venues, artists, or promoters. Read more about us, and spread it... |
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| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
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| EVENT SUBMISSIONS |
| To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
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| Contributors: |
| Blue Heat | Derek Beres | | Concrete Jungle Fighters | Brian Blessinger | | Warriors | Irene Bradish | | Delaque Rage | Julie Fishkin | | Latin Kings | Jessica Kraft | | M13 | Catherine E. Krudy | | Gottis | John McCormick | | Thunderbirds | Catherine T. Nguyen | | Iron Skullz | Lisa Rosman | | Kung-Fu Inc. | Caitlin Sims | | Most Wanted | Yancey Strickler | | Goonies | Faith-Ann Young |
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Production: |
| TMVs | Anjuli Ayer | | LS13 | Jessica Bauer-Greene | | TMCs | Sander-Martijn Milks | | Cobras | David Morrow | | Chain Gang | Dayo Olopade | | Folks Incorporated | Melissa Phruksachart | | Young Guns | Leah Taylor | | Les Enfants Terribles | Marcella Veneziale | | Cash Flo | Judah Wiedre |
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MORE FILTERED CULTURE |
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A twice-monthly email magazine high- lighting the latest in electronic music — including news, reviews, and original features
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A monthly review focusing on smart, readable works of fiction and nonfiction, from current titles to past gems
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© 2005 Flavorpill Productions LLC. All rights reserved.
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