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Cultural Stimuli in NYC
Issue 282: well-aged flavor
This week we celebrate our fifth anniversary: Flavorpill has been spreading the word about the best in cultural stimuli since way back in 2000, with editions in five cities now. It would seem the stars are aligning because we're trainspotting our number all over this issue. Perhaps the biggest event abrew is the launch of the first annual PERFORMA05, a three-week biennial devoted solely to performance art. (Check our overview and highlight of off-the-wall performathon 24-Hour Incidental.) APT throws its own prime-number birthday party with Warp's Luke Vibert, and one-of-a-kind bookshop Printed Matter launches its annual fair at 5pm on Thursday. On November 5th, Luomo (five letters, natch) delivers austere yet sexy microhouse, and YBA upstart Tracey Emin launches a new exhibit. Come ring in a half-decade of flavor with us this First Friday as we team up with the Guggenheim for another night of DJ/art madness, this time featuring tech-house hero Matthew Dear. Count to five, then spread it...
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flavorpill NYC is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
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Spotlight
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First Fridays
Tech-house posterboy Matthew Dear sends micro-jacking beats spiraling up Mr. Wright's rotunda in Flavorpill's second monthly Guggenheim
get-down.
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| THEATRE: Dance |
The Invisible Man
| when: |
Now through Sat 11.5 (Tue, Thur & Fri: 8pm / Wed & Sat: 3 & 8pm) |
| where: |
Baruch Performing Arts Center (55 Lexington Ave, 212.279.4200) map |
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$25-45 |
| links: |
Event Info |
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You wouldn't necessarily expect a dance-theatre adaptation of H.G. Wells' sci-fi classic The Invisible Man to present a damning indictment of recent American history. Yet choreographer Doug Varone and the Aquila Theatre Company's darkly provocative exploration of our fears of the unknown chillingly calls to mind images of Abu Ghraib and masked terrorists. Daniel Charon's visceral performance as an invisible stranger, tortured by physical and psychological isolation, is initially counterbalanced by the regimented movements of the medical staff prohibited from entering his room. As, one by one, the nurses encounter the stranger's frighteningly cloaked form, the paranoia gradually escalates to a frenzy. In the context of today's war on invisible enemies, Varone and Aquila brilliantly turn Wells' psycho-thriller into an ominous metaphor for the times. (KI)
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| ART |
Keith Tyson: Geno Pheno
| when: |
Now through Sat 11.12 (Tue-Sat: 10am-6pm) |
| where: |
Pace Wildenstein at W 25th St (534 W 25th St, 212.929.7000) map |
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Event Info |
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Keith Tyson, winner of Britain's Turner Prize in 2002, brings a visually
vibrant twist to rule-based conceptual art. In Geno Pheno, Tyson presents sculptures and paintings constructed around rules of genetic causation. The sculptures' bases and the paintings' left panels provide given "genotypes" from which Tyson produces one possible "phenotype" in the form of a completed artwork. In Geno Pheno Sculpture: "Globe of Shit," brown-painted tourist souvenirs pile around an illuminated blue globe, while three iPods in Geno Pheno Sculpture: "Synaesthetic Turbine" create an explosive column of colorful forms. Part critical, part philosophical, part scientific, this process-oriented work radically refuses formal or conceptual simplification. (LK)
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| MUSIC: Cheerleading Car Chase Spunk-Pop |
The Go! Team w/ Airborn Audio and the Grates
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When the Avalanches finally release their next masterpiece, they'll find they've been beaten to the punch by the sampladelic imps of the Go! Team. The Brighton, UK outfit captured a similarly madcap and care-free vibe with the playful pastiche of their debut, Thunder, Lightning, Strike. There's less disco in this kitchen sink, but ultimately more songcraft, which is sure to translate to broader appeal now that Thunder has finally seen an American release. What you want — be it peppy sing-alongs, spazz rapping, sweet-tooth harmonies, or chase-scene horn hooks — baby, they got it. (TW)
 Pep us up with a Flavorpill-related cheer. The most galvanizing response wins a pair of tickets to this show.
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| ALSO ON WED |
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THEATRE: Multimedia
Superamas: BIG: Episode #2 (Show/Business)
Wed 11.2 – Sat 11.5 (8:30pm) The Kitchen (512 W 19th St, 212.255.5793) map $10
Event Info |
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French-Austrian collective Superamas blends theatre and moving images to
explore the veiled connections between popular and consumer culture. Being
European and all, they ask hard questions, but expect audiences to conjure
up the answers. (SP)
 
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| FESTIVAL |
PERFORMA05: The First Biennial of New Visual Art Performance in New York City
| when: |
Thur 11.3 - Mon 11.21 (schedule) |
| where: |
Various locations (212.533.5720) |
| price: |
Various |
| links: |
Event Info |
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New York's first performance art biennial comes to town with a wide range of events and commissions covering the whole city. Organizer RoseLee
Goldberg has strung together an eclectic mix of venues, stretching from
Chelsea performing arts center the Kitchen to LES non-profit Participant
Inc, Chinatown's Art in General, Jack the Pelican in Williamsburg, and the Studio Museum in Harlem. Meanwhile, Albanian-Kosovan artist Sislej Xhafa takes to the streets with a truckload of lawyers, and art takes to the airwaves on PERFORMA RADIO. Tonight, Danish artist Jesper Just's sumptuous,
music-driven vision gets things started, pitting a solo opera singer against the Finnish Screaming Men's Choir. Stay tuned for continuing Flavorpill coverage. (AM)
Note: Jesper Just's True Love is Yet to Come continues with nightly performances through Sun 11.6, and concludes with a final performance Tue 11.8 (8pm).
What would you do (artistically, that is) with a truck full of lawyers? Our favorite response of 50 words or less wins a pair of tickets to a PERFORMA05 event.
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| FILM |
Margaret Mead Film & Video Festival
| when: |
Thur 11. 3 - Sun 11.6 / Sat 11.12 & Sun 11.13 |
| where: |
American Museum of Natural History (Central Park W at 79th St, 212.769.5200) map |
| price: |
$9 |
| links: |
Event Info |
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The annual Margaret Mead Film & Video Festival returns to present its 29th sampling of international short and feature-length ethnographic
documentaries. Named for the pioneering cultural anthropologist who believed film was the best tool for studying other cultures, the festival offers a window into veiled worlds; this year's offerings examine women's reproductive rights in Romania, bride kidnapping in Kyrgyzstan, domestic violence in Cameroon, and the trials and tribulations associated with divorce in Israel. For those who dig post-screening dialogue, most showings have a filmmaker on hand to field questions. (MB)
Mead's research of which tribe fueled the women's lib movement, and why? The fourth through sixth correct responses each win a pair of tickets to one of these screeenings.
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| FAIR |
Printed Matter's Editions/Artists' Books Fair
| when: |
Thur 11.3 - Sun 11.6 (Thur: 5-8pm / Fri & Sat: 11am-7pm / Sun: 11am-4pm) |
| where: |
Starrett-Lehigh Building (601 W 26th St, 14th Fl, 212.925.0325) map |
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Thur: $40 / Fri-Sun: Free |
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Event Info |
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A yearly carnival of art collectibles, the Editions/Artists' Books Fair
pleases serious print connoisseurs, artistically minded pack rats, and
curious bookworms alike, with participating printshops and galleries
displaying everything from Kiki Smith bronze skull sculptures to Marcel
Dzama action figures. John Bock's patterned knit underwear filled with bunny
droppings reveals a playful side to Parkett Edition's constellation of
contemporary superstars. Penny-pinchers can take home Guggenheim Fellow
Joanne Greenbaum's signed and numbered silkscreen cards from the Lower East
Side Printshop, or something from Specific Object's treasure chest of
cult-status ephemera, including Art-Rite zines. As always, an opening night
benefit for nonprofit Printed Matter promises limited-edition goodies for
people with a little extra cash to spare. (CEK)
Name at least four of the artists featured in the first edition of Printed Matter. The first correct response wins a pair of tickets to the reception.
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| THEATRE: Multimedia |
...She Said
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Thur 11.3 - Sun 11.13 (Wed-Fri: 8:30pm / Sat & Sun: 5:30 & 8:30pm) |
| where: |
Brooklyn Lyceum (227 4th Ave, Bklyn, 866.469.2687) map |
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$20 |
| links: |
Event Info |
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The creative force of WaxFactory returns to New York to further bend the theatrical genre with another seductive production fusing performance, live-video projections, animation, electronic sound installations, and digitally enhanced costumes. Loosely based on Marguerite Duras' novel, Destroy, She Said, characters slip between reality and imagination as unconventionally as text and movement blend, all within the mesmerizing confines of a structure reminiscent of a scientific laboratory or storefront window. WaxFactory's latest experimental piece promises a dazzling array of visual and mental stimuli. (SR)
Note: ...She Said is part of the Act French festival. No performances on Mon 11.7 and Tue 11.8.
What was the last thing "she" said to you, and why was it important? The four most intriguing responses of 50 words or less each win a pair of tickets to a performance of ...She Said.
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| ALSO ON THUR |
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MUSIC: Progressive Death
Opeth w/ Nevermore and Into Eternity
Thur 11.3 (7pm) Webster Hall (125 E 11th St, 212.353.1600) map $20
Event Info |
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Melodic singing might be death metal poison, but don't tell that to
Nevermore or Opeth — they might get medieval on your orc ass. (GM)
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CONFERENCE: Gaming
Semper Ubi: Ubisoft and the Art of Games
Thur 11.3 (7:30pm) Walter Reade Theater (70 Lincoln Center Plaza, 212.496.3809) map $10
Event Info |
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For uninitiated analog types, Ubisoft churns out video game blockbusters,
including Myst and Splinter Cell. This full day of multimedia
events celebrates the company's unputdownable titles and sneaks us peeks of
Peter Jackson's King Kong. (SP)
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The Guggenheim and Flavorpill present First Fridays feat. Matthew Dear w/ Ryan Elliott
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For round two of Flavorpill's monthly First Fridays at the Guggenheim, we beef up the beats with the one-two punch
of Ghostly/Spectral's Matthew Dear and Ryan Elliott. Detroit denizen Dear
sheds his current sex-crazed Audion moniker for a deft set of the
teutonic-tinged, pixilated pop, and zig-zagging zipper-funk that dominated
his accolade-garnering 2003 release Leave Luck to Heaven, while
fellow south Michigan boyo Elliott — the mixmaster behind stunning
label-sampler Spectral Sound, Vol. 1 — purveys a warm flow of
Motor City's finest robo-soul bass lines. So, perk your ears while absorbing
800 breathtaking years of art in the Russia! exhibit, before
uncoiling on the atrium's dance floor. (JJ)
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| ALSO ON FRI |
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MULTIMEDIA
Golan Levin Presents...
Fri 11.4 & Sat 11.5 (7:30 & 10pm) MonkeyTown (58 N 3rd St, Wburg, 781.384.1369) map $10 with reservation
Event Info |
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Carnegie Mellon professor and perennial MonkeyTown fave, multimedia artist Golan Levin stops by for a rare visit to NYC to premiere his new A/V work Scrapple and present a selection of videos from emerging artists. (JM)
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DJ
APT 5-Year Anniversary feat. Luke Vibert
Fri 11.4 (10pm) APT (419 W 13th St, 212.414.4245) map $10
Event Info |
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These Meatpacking District pioneers couldn't have chosen a more appropriate centerpiece for their birthday. Shape-shifting, genre-jokester Vibert embodies the musical breadth and quality that APT's hosted for five years. (JC)
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DJ
Foundsound presents Ben Parris w/ Fusiphorm
Fri 11.4 (10pm) Subtonic (107 Norfolk St, 212.358.7501) map $5
Event Info |
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Fresh off a worldwide distribution deal with Kompakt, upstart minimal techno imprint Foundsound toasts its fifth release, a Magda-remixed
debut EP from Baltimore's Ben Parris, who DJs. An ideal Matthew Dear afterparty. (CL)
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MUSIC: Indie Rock/Post-Punk
Tom Vek
Fri 11.4 (11:30pm) Knitting Factory (74 Leonard St, 212.219.3132) map $12 / $10 advance
Event Info |
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Tom Vek's live quartet returns to crank out disarming post-pop-punk ditties
laced with plucky bass lines, angular guitars, and retro synth in support of
We Have Sound's domestic release. (IB)
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| PERFORMANCE |
24-Hour Incidental
| when: |
Sat 11.5 - Sun 11.6 (Continuously from Sat: 12pm - Sun: 12pm) |
| where: |
Swiss Institute (495 Broadway, 3rd Fl, 212.925.2035) map |
| price: |
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| links: |
Event Info |
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If time could be reconfigured into the third dimension, the 24 hours unfolding at the Swiss Institute would resemble something like a steel
cage deathmatch. Collaborating with PERFORMA05, multinational artist Jordan
Wolfson curates a bold range of performances that coexist together —
or face off. Carsten Höller's The Pinocchio Effect, which
stretches the limits of believability, occupies the same space as Fluxus
pioneer Yoko Ono's well-documented YES Painting and John Armleder's
quiet Coffee Break. Audience participation fluctuates as well: Karl Holmqvist uses the Magnetic Fields to engage viewers with an intimate reading of their favorite from 69 Love Songs, while conceptual bad
boy Piero Golia turns a cold shoulder, sleeping through the whole affair.
(JG)
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| ART: Opening |
Tracey Emin: I Can Feel Your Smile
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Known for outlandish exposés of her sleeping habits — previously
exhibiting both the bed of her steamy encounters and the names of all her
partners embroidered on a camping tent — young British artist Tracey
Emin is still taking inspiration from her nocturnal adventures, this time
from an encouraging former professor appearing in a dream. She's constructed
a 12-foot, towering tribute from salvaged wood and shafts of white neon
surrounded in the gallery by neon text statements, short films, drawings,
and paintings. Her colorless works signal a new direction, but it's not
virgin naïveté that led the artist to bleach her palette —
she simply likes the way things look in white. (JK)
Note: I Can Feel Your Smile continues through Sat 12.17 (Tue-Sat: 10am-6pm).
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| MUSIC: Microhouse |
Luomo
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Five years ago, as lifeless boutique hotel compilations threatened to
suffocate lounge-oriented electronica, free-jazz drummer and
IDM-experimentalist Sasu Ripatti reinstated techy dance music as the
soundtrack to which the impossibly sexy pout their lips, sip their cocktails,
and sway their hips. Under his Luomo guise, Ripatti's seminal Vocal
City helped spawn the term microhouse, a sound whose clicks 'n cuts simultaneously trimmed the flab off house and polished techno's rough textures to a sleek, shimmering sheen. Following his sophomore effort, The Present Lover, the Finn even had indie rockers out under the disco ball. Tonight, Ripatti performs live, programming a skeletal set of airy vocals, lustful exhalations, and sensually saturated beats. (JJ)
Note: Ripatti performs his avant-leaning ambient dub material under his Vladislav Delay moniker at Rothko on Mon 11.7 (9pm).
Vocal City was originally released as a series of EPs, under which of Ripatti's alter egos? The second and third correct responses each win a pair of tickets to the show.
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| ALSO ON SAT |
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MUSIC: Bigbandgypsypunkfusion
New York Gypsy Festival
Sat 11.4 & Sun 11.5 (10pm) Sat: Maia Meyhane (98 Ave B, 212.358.1166) / Sun: Roxy (515 W 18th St., 212.645.5156) map Sat: $15 / Sun: $35
Event Info |
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This week-plus freak-fest offers a profusion of ethno-musical styles —
and concludes with Turntables on the Hudson's Nickodemus directing the
Endandered Species Band on Saturday and Eugene Hutz' Gogol Bordello sharing the
stage with 23-piece Hungry March Band on Sunday. (CN)
Note: There are numerous performances each night, now through Sun 11.5.
Check the schedule for details.
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MUSIC: Indie Noir
Calla w/ Celebration
Sat 11.5 (10pm) Bowery Ballroom (6 Delancey St, 212.533.2111) map $13
Event Info |
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Calla's brooding, understated rock quivers with nervous energy and tight,
dark dynamism. Tonight, Calla's joined by the eclectic spaz of recent 4AD
signees Celebration. (AAA)
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| MUSIC: Indie Rock |
Spoon w/ American Music Club and Mary Timony
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Known for crafting impeccable pop songs, Spoon have achieved impressive
recognition outside the indie world, and while it stings the die-hard fan to
hear them on an OC soundtrack, one can't fault newbies for taking
notice. This year's Gimme Fiction may have less immediately
compelling melodies, but it rewards listeners who enjoy peeling back an
album's layers. A nicely varied lineup tonight includes the criminally
underrated, decades-old American Music Club, who explore traditional folk
music through reverb and melancholy, and ex-Helium guitarist Mary Timony,
whose early twee efforts lacked the complexity of her current take on noisy
ethereality. (JPC)
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| READING |
Laila Lalami: Hope and Other Dangerous Pursuits
| when: |
Mon 11.7 (7pm) |
| where: |
Barnes & Noble, Astor Place (4 Astor Pl, 212.420.1322) map |
| price: |
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Event Info | Laila Lalami |
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With her blog moorishgirl.com and occasional contributions to publications like The Nation and the Los Angeles Times, Laila Lalami chronicles the literary scene, life in Portland, news from Morocco (her native country), and the Muslim experience with characteristic wit, awareness, and occasional vitriol. Currently, she's touring in support of her recently published debut novel, Hope and Other Dangerous Pursuits, which details the motivations and actions of four Moroccans who flee their country on an inflatable boat headed for Spain. Though they all share a common destination, the four companions have drastically different reasons for their dangerous emigration. (JK)
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| THEATRE |
See What I Wanna See
| when: |
Now through Sat 12.4 (schedule) |
| where: |
The Public Theater (425 Lafayette St, 212.539.8500) map |
| price: |
$60 |
| links: |
Event Info |
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Whether it's evidence of the postmodern era of musical theatre, or a mere product
of our ADD-minded pop culture, See What I Wanna See is a short format
fan's answer to lengthy plays and stretched plots. Musical wunderkind Michael
John LaChiusa's multifaceted saga of redemption, faith, and hope is partly
inspired by the short stories of poet Ryunosuke Akutagawa (which also
provided director Akira Kurosawa with fodder for his masterpiece
Rashomon). The playlet involving a murder mystery set in Central Park
provides most of the evening's catchy tunes, while a post-9/11 miracle hoax
serves as the emotional anchor for the bunch. Wicked witch Idina
Menzel lands back downtown to play against type. (SP)
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| ART |
Raymond Pettibon
| when: |
Now through Sun 2.19.06 (Wed-Thur: 11am-6pm / Fri: 1-9pm / Sat-Sun: 11am-6pm) |
| where: |
Whitney Museum of American Art (945 Madison Ave, 212.570.3676) map |
| price: |
$12 |
| links: |
Event Info |
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Surfboard sage Raymond Pettibon continues his prodigious output of
pen-and-ink drawings, still riding the wave of critical attention from his 2004
Whitney Biennial Bucksbaum Award. Resembling cells culled from
existentialist comic books, Pettibon's drawings hang tacked-up in clusters
of pulp characters and dreamlike landscapes. Feathery brushstrokes and
bleeding washes in gemstone and mineral hues render floating signifiers of
naked ladies, confused penguins, soaring cathedrals, and the Earth seen from
above. With an eye towards the topical, pensive prose weaves throughout the
drawings, elevating the meat-and-potatoes materiality of Pettibon's
graphic practice, while an adventurous animation provides a savory visual
treat. (CEK)
Note: Pettibon also has a new installation at MoMA as part of the
year-long exhibition, Drawing from the MoMA: 1975-2005, running through Mon 1.9.06.
Which early-20th-century surf pioneer was responsible for adding fins to surfboards? The sixth and seventh correct responses each win a pair of tickets to this exhibition.
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| ALSO ONGOING/UPCOMING |
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FILM
In Cold Blood (1967)
Now through Tue 11.8 (1, 3:40, 7 & 9:30pm) Film Forum (209 W Houston St, 212.727.8110) map $10
Event Info |
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For Capote completists, this film adaptation of In Cold Blood
eliminates Capote's involvement and the literary non-fiction style of the
novel, but retains his sympathetic portrayal of the two disenfranchised
murderers. (SAM)
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ART
Imagined Worlds: Willful Invention and the Printed Image 1470–2005
Wed 11.2 - Sat 1.28.06 (Mon-Fri: 11am-6pm / Sat: 12-5pm) AXA Gallery (Atrium Lobby, 787 7th Ave, 212.554.2015) map
Event Info |
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Organized by the International Print Center, this survey covers it all, from
William Blake's proto-psychedelic visions to Vija Celmins' photorealist
seascapes, Piranesi's Gothic architectural studies, and Rockwell Kent's
immaculately detailed lithographs. (AM)
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INSIDE MUSIC'S BLACK BOX: Pandora |
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You're a textbook music maven. An expert at "spot the influence," you're
constantly quipping, "if you like [semi-known band], you'd really
like [obscure band]," and your blank CDs fly off the spindle during
mix-making (read: dating) season. One problem: it's lonely at the top.
Luckily for you, the Music Genome Project has designed Pandora, the music
geek's best online friend. Plug a favorite artist or song title into the
site's Flash interface, and Pandora combs through over 300,000 songs from
10,000 different artists of varying levels of popularity, and from several
genres (better luck next time, world-beat and classical), to construct a
startlingly consistent "station" based on your artist or song parameters.
Submit Animal Collective, Pandora gives you Nedelle; enter Ui, and listen to
tracks from the Octopus Project. And at $3 a month, with a ten-hour free trial,
Pandora's cheaper — not to mention significantly less intimidating
— than a subway round-trip to Other Music. (TG)
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CD REVIEW: Who Made Who, Who Made Who |
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Gomma
Released October 2005
$14.99 (Amazon)
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While recent takes on Benny Benassi's campy electro hit "Satisfaction" and Mr. Oizo's lovable/goofy "Flat Beat" approach novelty, Danish trio Who Made Who's debut proves their talent runs deeper than cheeky party covers. On their self-titled album, melodic punk-funk and disco are played live in the style of !!!, with the emphasis on tight pop arrangements rather than stoned-out jams. Given the AC/DC-inspired name, it seems fitting that musical points of reference are unabashedly deliberate: album opener "Roses" nods to Liquid Liquid with an oscillating bass line and intricate percussion, while "Johnny Lucky" appropriates the art-school swagger of the Talking Heads and stripped-down funk of ESG. "Space for Rent" breaks out of the traditional mold, mounting an Old-West style bass line over a modified schaffel beat with filtered, falsetto vocals, further solidifying Who Made Who as the thinking man's party band. (CJN)
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STREAMS: Futureboogie |
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With every passing day, the web fills with more and more quality podcasts for all tastes. Bristol-based Futureboogie holds things down for the jazz, breaks, and hip-hop heads with fresh content, including live and archived sets, plus interviews with the likes of Domu, Recloose, Peter Kruder, and Jazzanova. Here, check out a cross-section of its streams (also available by podcast). Influential selector from those halcyon Hacienda days Greg Wilson spins a circa-1983 mix documenting the precursors to various forms of electronic dance music, while Bristol's own Tim Spencer drops jazz, R&B, and soul. Finally, Turntable Lab's own Gypsy Bogdan compiles a playlist including some Brazilian cuts plus new music from Scott Herren's Piano Overlord project and Quasimoto. (CJN)
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Greg Wilson: Best of '83 mix (Electro/funk)
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Tim Spencer: Moshi Moshi mix (Jazz/soul)
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Gypsy Bogdan: Maltloaf mix (Hip-hop/Brazilian/breaks)
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| Header Design: |
| Five card stud | J. Byrnes |
| |
| Editors: |
| The Furious Five | Benjamin Beverly | | 9 to 5 | Jocelyn K. Glei | | Five o'clock shadow | Jake Lancaster | | High five | Doug Levy | | Cinco de Mayo | Sascha Lewis | | Five Points | Andrew Maerkle | | Five-finger discount | Mark Mangan | | Cléo de 5 à 7 | Kristin Miller | | The Jackson 5 | Colin J. Nagy | | Pentadactyl | Stephan Paschalides |
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| ABOUT US |
| flavorpill NYC is a free weekly email magazine covering music, arts, and cultural events in New York City. All listings are pure editorial, never paid advertisements — no money is accepted from venues, artists, or promoters. Read more about us, and spread it... |
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| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
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| EVENT & DESIGN SUBMISSIONS |
To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
To find out more about submitting cover art to run at the top of Flavorpill publications, go to flavorpill.net/design. |
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MEDIA PARTNERSHIPS |
| Every week, flavorpill NYC presents one exclusive media partner. Click for more information about advertising opportunities on all Flavorpill publications. |
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| Contributors: |
| Five Alive | Atossa Araxia Abrahamian | | Hawaii Five-O | Mindy Bond | | Five-inch heels | Irene Bradish | | I've got five on it | Justin Carter | | Five-for-nine | Joe P. Colly | | Pizzicato Five | Todd Goldstein | | The Fifth Element | Carl E. Hagen | | Gimme five | Kiwa Iyobe | | The Fab Five | Elisa Jacobs | | Quintet | James Jung | | Five and dime | Jessica Kraft | | Quintuplet | Lindsay Korotkin | | Pentad | Catherine E. Krudy | | Five boroughs | Chris Lamb | | Fivesome | Gerry Mak | | Five spot | John McCormick | | Five Feet of Fury | S. Akiko Moorman | | Fifth wheel | Catherine Nguyen | | Fin | Lisa Rosman | | Quintan | Toby Warner |
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Production: |
| Top five | Anjuli Ayer | | Pentameter | Jessica Bauer-Greene | | Triple Five Soul | Morgan Croney | | Ben Folds Five | Jules Gaffney | | Mrs. Palmer and her five daughters | Pilar Gallego | | The Fifth Disciple | Mia Kim | | Slaughterhouse-Five | Sander-Martijn Milks | | Five for Fighting | David Morrow | | Five-O | Leah Taylor | | The Five O'Clock Heroes | Judah Wiedre |
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