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 Eduardo Valdivieso |
Cultural Stimuli in NYC
Issue 293: experimental flavor
This week, New York hits it big with a mother lode of happenings that promise to be creative, brainy, and offbeat. Multimedia artist Ibrahim Quraishi presents the world premiere of 5 Streams; Under the Radar
2006 showcases the best of international underground theatre; and Monkey Town kicks off Video Week by highlighting digital media hackers and innovators with Crap-tops vs Laptops. On the music front, longtime Björk collaborators and found-sound mavericks Matmos present their new project with contemporary ensemble So Percussion; producers and DJs par excellence Pantytec craft house music from clicks and cuts; shadowy psych band Serena Maneesh represents from Norway; and the New York Winter Jazzfest brings a phenomenal lineup of musicians to the Knitting Factory. Keep on pushing boundaries, and spread it...
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flavorpill NYC is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
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Josh Rubin's Cool Hunting has been a daily dispatch from the intersection of design, culture, and technology since February 2003. Rubin founded the site to catalogue things that inspire him in his practice as a designer and strategist. Today, Cool Hunting counts multiple contributors and has grown far beyond a personal reference tool. Designers, consumers, and marketers from around the world visit daily and share their finds with friends and colleagues. |
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Spotlight
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Future Jazz
The Knitting Factory celebrates its jazz-fueled past this week with the NYC Winter Jazzfest, bringing in dozens of high-profile and under-the-radar acts for a marathon show across all three stages.
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| FAIR |
DJ Shakey's Nightowl Record Fair
| when: |
Tue 1.17 (8pm-4am) |
| where: |
APT (419 W 13th St, 212.414.4245) map |
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| links: |
Event Info | APT |
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Crawling from beneath blankets and headphones for early morning record fairs is always such a drag. Fortunately, DJ Shakey sympathizes with the weary crate-digger. With her recurring Nightowl Record Fair (always taking place on weekday evenings), she transforms music nerds into creatures of the night. Tonight's special 45s-only edition touches down upstairs at APT, allowing aficionados of genres spanning house, rock, rap, punk, reggae, and more to search out rarities with drink in hand. Local DJs and record collectors, including $mall ¢hange, spin their favorites, so get a second wind and a second drink — it could be a blessedly long night. (LT)
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| ALSO ON TUE |
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LECTURE
Arthur Danto: Embodied Meanings as Aesthetic Ideas
Tue 1.17 (7pm) School of Visual Arts Amphitheater (209 E 23rd St, 212.592.2532) map
Event Info |
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Arthur Danto, legendary professor of philosophy and longtime art critic for The Nation, warms up a new lecture series at SVA tonight with a talk on arts journalism's shifting landscape. (GD)
 
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| FILM |
The Fall of Fujimori
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While ex-dictator Alberto Fujimori plots his return to Peruvian politics from a jail cell in Chile, the Film Forum showcases Ellen Perry's documentary, The Fall of Fujimori, a wide-eyed account of his controversial reign over Peru during the '90s. Committed to the eradication of terrorism and restoration of economic stability in Peru, Fujimori resorted to some grievously unlawful and inhumane measures to achieve his agenda. Following his second re-election in 2000, rumors of corruption surfaced, resulting in his resignation and escape to asylum in Japan. Made with Fujimori's cooperation, the film adeptly braids condemning arguments with interview footage of a slightly humbled man justifying his past. Still popular among Peruvians, Fujimori was arrested in Chile recently while he was preparing to run for re-election. (MB)
As the 2006 Sundance Film Festival kicks into gear this week, check out Flavorpill Sundance — updated daily with video and blog posts — to get the downlow on the scene in Park City.
 Which US university did Fujimori attend, and what did he study? The seventh correct response wins a pair of tickets for a screening on Mon 1.23 (6:15pm).
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| DANCE |
Ben Munisteri Dance Projects
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Ben Munisteri's brand of choreography doesn't evoke the fluid movements and graceful routines you might expect from your average dance company. Instead, it presents a formalist structure, examining bodily movement in disparate space patterns. In Turbine Mines, his dancers use each other as furniture as they explore a correlation between human and non-human nature, set to Vangelis' classic Blade Runner soundtrack. In the modernist-tinged Thunderblood, the performers gradually build on the tension provided by live violins and an electronic score. The company's premiere, Tuesday, 4 a.m., is set during most people's "unconscious" time and is suitably driven by dream logic. (SP)
What painting inspired the mood of Ridley Scott's Blade Runner? The fourth correct response wins a pair of tickets to this show.
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| ALSO ON WED |
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MULTIMEDIA
Ibrahim Quraishi's 5 Streams
Wed 1.18 - Sun 1.22 (Wed & Thur: 7pm / Fri: 8pm / Sat: 3 & 7pm / Sun: 3pm) Asia Society (725 Park Ave, 212.288.6400) map $25
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Multimedia artist Ibrahim Quraishi reinterprets the religious and cultural texts of South Asia's Islamic and Hindu traditions by exploring historical archetypes through a multi-sensory amalgam of technology, movement, text, and video. (SP)
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DJ
Philth-Y presents Fluxblog vs Stereogum II
Wed 1.18 (9pm) Luke & Leroy (21 7th Ave S, 212.645.0004) map
Event Info |
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Both celebrating five-year anniversaries, Fluxblog and Stereogum might own the blogosphere, but you can be the judge of their respective DJ abilities tonight as the music nerds behind the sites do battle behind the decks. (LT)
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| MULTIMEDIA: Opening |
William Kentridge: The Magic Flute Drawings and Projections
| when: |
Thur 1.19 (6-8pm) |
| where: |
Marian Goodman Gallery (24 W 57th St, 4th Fl, 212.977.7160) map |
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Event Info |
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William Kentridge, known for his philosophical, elegiac animations and installations addressing life in his native South Africa, also directed an adaptation of Mozart's Magic Flute, which premiered in Brussels in 2005. Marian Goodman Gallery displays 50 working drawings and fragments the artist created for the visualization of this production, as well as an elaborate, preparatory theater-in-miniature incorporating projections and sound that served as a study for a second work, Black Box/Chambre Noir (now at the Deutsche Guggenheim Berlin). Through signature charcoal animations, Kentridge weaves his own concerns over the misplaced idealism of the colonial era into the Enlightenment masterpiece, championing fantasy as a corrective for unchecked authority. (AM)
Note: The Magic Flute continues through Sat 2.25 (Mon-Sat: 10am-6pm).
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| THEATRE: Festival |
Under the Radar 2006
| when: |
Thur 1.19 - Mon 1.23 (schedule) |
| where: |
Various locations |
| price: |
$25 / $60 festival pass |
| links: |
Event Info |
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After a successful first edition at St. Ann's Warehouse last year, Under the Radar 2006 moves to the Public Theater, presenting 14 contemporary theater performances from around the world. Among the best of the fest: Tim Crouch's disquieting My Arm, from the UK, uses props provided by the audience to tell the story of a boy who holds one arm above his head and never takes it down; French-Austrian group Superamas blends contrasting formats, from reality show to conceptual art, to provoke the viewer's perception of consumer culture in Big 2nd Episode (show/business); and in Rehearsal.Hamlet, Brazilian troupe Cia dos Atores recounts the Bard's tale through its own imaginative lens. (SP)
Rehearsal.Hamlet is two hours long; how many times longer is the folio text of Hamlet, if performed all the way through? The first four correct responses each win a pair of festival passes good for all Under the Radar shows.
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| FILM |
Why We Fight
| when: |
Opens Fri 1.20 |
| where: |
Various locations |
| price: |
$10.50 |
| links: |
Why We Fight |
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Why We Fight, Eugene Jarecki's documentary about the burgeoning role the military-industrial complex plays in the US economy, is everything a Michael Moore film is not: level-headed, nonpartisan, and distinctly not character-driven. Forgoing a central narrator, it carefully lays out various cogs of the American war machine: poor youths, lobbyists, Sen. John McCain, weapons-factory workers, a neo-conservative think-tank head, the retired lieutenant general who witnessed how corporations dictate military policy, a father whose son died in 9/11, and even footage from various wars themselves. Bookended by Eisenhower's farewell speech warning of a too-powerful peacetime military, Why We Fight just might preach to more than the choir. (LR)
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| FILM |
How to Eat Your Watermelon in White Company (And Enjoy It)
| when: |
Fri 1.20 - Thur 1.26 (3:30 & 7:30pm) |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
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Best-known as the director/writer/star/producer of Sweet Sweetback's Baad Asssss Song (1971), Melvin van Peebles has made it his life's work to open both doors and eyes for black Americans in arenas as divergent as Wall Street, Hollywood, Broadway, music (his early spoken-word albums influenced Gil Scott-Heron's proto-rap), and even French film and literature. With such a mission and resume, he doesn't have time to waste on modesty, and this genuinely fawning new documentary by director Joe Angio takes its cues from its muse. Fortunately, both the man and the movie compensate with plenty of charm and a truly inspiring life to back up that swagger. (LR)
For more film coverage, hit our Flavorpill Sundance blog.
Which country is the world's largest watermelon producer? The seventh correct response wins a pair of tickets to a screening on Mon 1.23 (7:30pm).
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| MUSIC: Avant Garde |
So Percussion w/ Matmos
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Matmos' knack for producing electronic music from found sounds, and the duo's uncanny ability to structure such experimentally minded works into a cohesive, conceptual whole, could be compared to the oeuvre of house-music collagist Matthew Herbert. But as Herbert shifted his attentions to delicate, arty exercises sampling the sounds of cooking, Matmos continues to revel in genuine weirdness, developing darkly humorous pieces using noises ranging from the traumatizing sucking sounds of a liposuction operation to the agonized scratches of a rat clawing out of his cage. This tour marks Matmos' first live collaboration with So Percussion, an ensemble that has been gaining attention for a creative reinterpretation of Steve Reich's Drumming. Expansions of musical horizons are sure to ensue. (DM)
Note: Tonight's show features one set from each act and one collaborative set. There is a two drink minimum for this show.
In keeping with their tradition of sampling found sounds, what source material would you like to hear on a Matmos record? The most intriguing response of 50 words or less wins a pair of tickets to this show.
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| MULTIMEDIA |
Rhizome.org Presents...Crap-tops vs. Laptops
| when: |
Fri 1.20 (7 & 9pm) |
| where: |
Monkey Town (58 N 3rd St, Wburg, 781.384.1369) map |
| price: |
$8 |
| links: |
Event Info | Rhizome.org |
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Organized by the New Museum's new-media branch Rhizome.org, Crap-tops vs Laptops kicks off Monkey Town's Video Week, an off-the-cuff festival for the digital underground. Tonight's event celebrates Dirt Style computer-generated music and videos, pitting artists working with commercially marketed software against those using homemade hacked programs. Both camps ultimately produce a chaotic sensory assault of psychedelic colors, media sampling, and 8-bit beats. Paper Rad headline with Found Footage, a two-minute visual mash-up, while Dallas-based duo Treewave creates graphics with everything from an Atari 2600 to a Fisher-Price toy camera. Live performances include LoVid, playing their homemade audio-visual synthesizer, and chiptuners Bit Shifter and Nullsleep, who create music through Game Boys. (AM)
Note: Video Week at MonkeyTown continues through Sat 1.28.
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| MUSIC: Nügazer |
Serena Maneesh w/ Psychic Ills and Jason Loewenstein Band
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As the world's third-largest oil exporter, Norway knows about digging into God's green earth. With Serena Maneesh, it's also managed to strike on the hallowed Anglo-soil of shoegazer psychedelia. Definitely: breathy vocals, tambourines, and vaguely cosmic grandiosity. Probably: sunglasses. Brooklyn's Psychic Ills, meanwhile, scruffily extol Spacemen 3's virtues in the Church of Whoa — enough to drag drugged smiles out of jaded cosmopolitan-types. Jason Lowenstein, under gilded anonymity as a guy in Sebadoh that wasn't Lou Barlow, opens with the kind of punky classic rock that indie forgot when the clock struck Y2K. (MP)
Which country is the world's second-largest oil exporter? The fourth and fifth correct responses each win a pair of tickets to this show.
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| DJ |
Musique Risquée Night feat. Vincent Lemieux
| when: |
Fri 1.20 (10pm-4am) |
| where: |
Subtonic (107 Norfolk St, 212.358.7501) map |
| price: |
$5 |
| links: |
Event Info |
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The Montreal-based Musique Risquée label is run by a veritable who's who of its local techno scene: Akufen, Deadbeat, Stephen Beaupré, and Vincent Lemieux. OK, so maybe the latter isn't quite a hipster household name, but Lemieux is currently readying his first original productions for release on the imprint. Tonight, he mans the decks after the New York-by-way-of-Russia duo alka_rex, who are set to release their first 12-inch on Risquée in the spring. Expect both to keep it minimal and funky, if recent DJ sets and alka's own Shapes to Phases LP are any indication. (TB)
What do you consider to be particularly risky music, and why? Our two favorite responses of 50 words or less each win a pair of tickets to this show.
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| DJ |
Pantytec
| when: |
Sat 1.21 (10pm-6am) |
| where: |
Avalon (662 6th Ave, 212.807.7780) map |
| price: |
$30 / $15 with RSVP |
| links: |
Event Info | Pantytec |
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A year or two ago, the idea of German duo Pantytec headlining a major New York club would have been nearly inconceivable — their springy, stuttering "cartoon house" was still too offbeat for the masses. Thankfully, a larger audience has come around to the sound, recognizing the contagious fun found in the imaginative layering of bouncy micro-beats. Tonight, co-founders of the celebrated Perlon label, Sammy Dee and Zip, take the stage for an extended five-hour live/DJ set as Pantytec. Add the support of two top techno locals, Plexus and Kevin "Micromini" McHugh, and you may just find minimal techno heaven in Avalon. (CEH)
The eighth track on Pantytec's album Pony Slaystation is called "Candy Coated Conspiracy." Make your favorite conspiracy theory a little more palatable. The most interesting response of 50 words or less wins a pair of tickets to this event.
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| MUSIC |
NYC Winter Jazzfest
| when: |
Sun 1.22 (6pm) |
| where: |
Knitting Factory (74 Leonard St, 212.219.3132) map |
| price: |
$25 |
| links: |
Event Info |
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Today, the Knitting Factory is best known for indie-rock fare, but it was a top New York jazz club back in the day. The Winter Jazzfest celebrates the Knit's storied past with an eclectic lineup spanning seven hours of performances on all three stages. Me'shell Ndegeocello and John Medeski lend some name-brand oomph to the proceedings, but the most intriguing performances are likely to come by way of the more experimental acts, such as guitarist Marc Ribot, who pays tribute to the late Albert Ayler with his group Spiritual Unity, and the phenomenal pianist Vijay Iyer, who teams up with hip-hop poet Mike Ladd and alto saxophonist Rudresh Mahanthappa for what promises to be a head-wrecking collaboration. (GD)
What does Ndegeocello's name mean in Swahili? The second, third, and fourth correct responses each win a pair of tickets to this show.
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| PANEL |
Artforum Roundtable: Curating the Whitney Biennial
| when: |
Mon 1.23 (6:30pm) |
| where: |
The New School (66 W 12th St, 212.229.5488) map |
| price: |
$10 |
| links: |
Event Info |
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If you ever wondered what makes the curators behind the Whitney Biennial tick, this panel offers the opportunity to poke and prod at these keepers of the art-scene gate. Presenting a virtual who's who of American artists, the Whitney Biennial has been alternately praised, lauded, whipped, and beaten over the last 70 years. With the unveiling of the 2006 Biennial just around the corner, Artforum executive editor Tim Griffin lays into current and past curators to discover the challenges they face when divining a Biennial and dealing with its aftermath. (MB)
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| ALSO ON MON |
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MUSIC: Chamber Mope
The Section Quartet
Mon 1.23 (10pm) Mercury Lounge (217 E Houston St, 212.260.4700) map $12
Event Info |
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Los Angeles' Section Quartet developed chamber-music chops with studio work for platinum-sellers and made a name with violin and cello interpretations of the Cure and the Smiths. Tonight, hear Section's avant-classical reworkings of Radiohead compositions. (BC)
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| THEATRE |
Fits & Starts: The Sacred Heart
| when: |
Now through Sat 1.28 (Tue-Sat: 8pm) |
| where: |
Access Theater (380 Broadway, 4th Fl, 212.966.1047) map |
| price: |
$15 |
| links: |
Event Info |
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Jesus, Mary, and Joseph! A cosmic thunderstorm swaps Pappaw Rogers with an orthodox Jew, and Nadine finds herself pregnant despite her boyfriend's sterility — so begins Vicki Caroline Cheatwood's award-winning Fits & Starts: The Sacred Heart. This is off-off-Broadway at its most cataclysmic: floorboards rattling and ceilings quaking in a tiny fourth-floor space. Is it the Second Coming? Or just the big man upstairs doing jumping jacks? Only God knows what to make of this chaotic hallucination of a play that mixes Scripture with politics, feminism, and lots of Dr Pepper, but then again, maybe that's the point. (KI)
According to Catholic theology, what is the Sacred Heart? The second and third correct responses each win a pair of tickets to this event.
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| MULTIMEDIA |
8th Annual Video Marathon: Not a Marathon, Just a Traffic Jam
| when: |
Now through Sat 2.18 (Tue-Sat: 12-6pm) |
| where: |
Art in General (79 Walker St, 212.219.0473) map |
| price: |
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| links: |
Event Info |
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Matthieu Laurette's multimedia tribute to rebellious urban filmmaker and theorist Guy Debord sets the tone for Art in General's annual exhibition of video art, hinting at the ideological and international outlook of this year's trio of curators. Based at Hong Kong's Para/Site, Tobias Berger targets China's vast economic machine, lampooning dogged office drudges and featuring demonstrations of architectural spectacle; feminist James Pei-Mung Tsang gathers didactic dramas as a tool for political enlightenment; and the British Film Institute's Michael Connor references Mr. Rogers' Neighborhood of Make-Believe in examining the thin barrier between play and prescribed behavior in daily life. The three series mix doubled-edge humor and cosmopolitan empathy in a transient, global milieu. (CEK)
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| PHOTOGRAPHY |
¡Che! Revolution and Commerce
| when: |
Now through Sun 2.26 (Tue-Thur, Sat & Sun: 10am-6pm / Fri: 10am-8pm) |
| where: |
International Center of Photography (1133 6th Ave, 212.857.0000) map |
| price: |
$10 |
| links: |
Event Info |
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An enduring symbol of anti-establishment attitude, Che Guevara has also been appropriated as a corporate trademark for 21st-century branding campaigns. Taking Alberto Korda's landmark 1960 photograph of the heroic guerilla as its starting point, this exhibition investigates the reproduction and reduction of Guevara's rebel cachet through examples of documentary and art photography, as well as graphic design, film, and fashion. Photojournalist Raul Ortega captures Zapatista propaganda in rural Mexico; conceptual photographer Marcos Lopez catches up with Korda at home to pore through old contact sheets; renowned Brit-pop cameraman Martin Parr spots London socialites sporting Che's likeness; and mixed-media artist Vik Muniz finds inspiration in beans for his Che Frijol portrait. (AM)
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GETTING DOWN TO INDIAN SOUNDS: Bollywood and Bhangra dance lessons in NYC |
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Bollywood Disco kicks off its 2006 season at Canal Room next week, but if you want to practice your moves beforehand, the pulsing beats of bhangra and the romantic tunes of Bollywood are now on the decks at new exercise classes around the city. Integrating traditional movements with contemporary hip-hop and club grooves, walk-in classes at Crunch Gym get you jumping Punjabi-style with Bhangra Masala and Hip-Hop Bhangra. Feel like an extra in the latest Bollywood film and hear the hottest hits from Mumbai at Pooja Narang's fast-paced Bollywood Axion studio. And for those with a little less stardust in their kohl-rimmed eyes, Lotus Dance offers a classically inspired Indian dance class that focuses on hand postures and precise choreography taught by Ishra Toque. (JK)
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CD REVIEW: Bassnectar, Mesmerizing the Ultra |
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Organic Music
Released September 2005
$13.98 (Amazon)
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Lorin "Bassnectar" Ashton's distinctive psy-breaks have bubbled up from the West Coast underground for half a decade. Now, with his label-debut artist album, Mesmerizing the Ultra, the alt-culture festival favorite expands his deep, warbled bass lines, otherworldly atmospheres, and socially conscious lyrics within a dizzying range of genres; ambient, glitch-hop, and ragga are all combined for a synthesized stew of futuristic mid-tempo funk. With guest musicians, singers, and MCs, the sheer number of resulting textures, cut-ups, and tempo shifts is enough to challenge a casual listener — but Ultra only grows stronger with repetition. The second disc includes a newly mastered version of Bassnectar's previously self-released Diverse Systems of Throb. No tacked-on afterthought, this cohesive mix rivals Ultra's quality with twisted breaks and soulful, ambient experiments — fit for both dance floors and mind excursions. (CEH)
What type of music is Ashton "crusading" for? The fourth correct response wins a copy of Mesmerizing the Ultra and a pair of tickets to his Fri 2.10 show at Downtime.
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STREAMS: Dirty |
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To our delight, the people behind Dirty have updated their considerable cache of DJ mixes, interviews, and assorted media. This week, Gomma artist Midnight Mike reaches far out there and emerges with some sleazed-out funk and spacey disco rarities, including Harry Thurman's "Sphinx." Todd Terje, fresh from being dared to make the "cheesiest, most obvious EuroDance tune possible" (and subsequently hitting it out of the park, releasing "Eurodans" to widespread acclaim from music heads and dodgy Euros alike), lays down some seriously quirky disco. And lest we prostrate ourselves completely to the mirror ball, DJ Assault lays down ghetto-tech filthiness live from Paris' Rex Club. (CJN)
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Midnight Mike: Dirty Mix (Funk/disco)
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Todd Terje: Dirty Mix (Cosmic/Italo disco)
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DJ Assault: Live at Rex Club (Ghetto-tech)
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| Header Design: |
| Oscar Peterson | Eduardo Valdivieso |
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| Editors: |
| Alice Coltrane | Geeta Dayal | | Cassandra Wilson | Annette Ferrara | | Nina Simone | Jocelyn K. Glei | | Kenny G | Jake Lancaster | | Charlie Hunter | Doug Levy | | Max Roach | Sascha Lewis | | Derek Bailey | Andrew Maerkle | | Burt Bacharach | Mark Mangan | | Diana Krall | Colin J. Nagy | | Django Reinhardt | Stephan Paschalides |
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| ABOUT US |
| flavorpill NYC is a free weekly email magazine covering music, arts, and cultural events in New York City. All listings are pure editorial, never paid advertisements — no money is accepted from venues, artists, or promoters. Read more about us, and spread it... |
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| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
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| EVENT & DESIGN SUBMISSIONS |
To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
To find out more about submitting cover art to run at the top of Flavorpill publications, go to flavorpill.net/design. |
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| Contributors: |
| James Blood Ulmer | Todd Burns | | Art Blakey | Mindy Bond | | Cole Porter | Brett Castle | | John Zorn | Carl E. Hagen | | Pat Metheny | Kiwa Iyobe | | Ornette Coleman | Jessica Kraft | | Duke Ellington | Catherine E. Krudy | | Albert Ayler | Mike Powell | | Dina Washington | Lisa Rosman |
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Production: |
| Norah Jones | Anjuli Ayer | | Billie Holiday | Jessica Bauer-Greene | | Benny Goodman | Morgan Croney | | Bill Evans | Kate Estwing | | John Tesh | Jules Gaffney | | Dave Brubeck | Sander-Martijn Milks | | Manhattan Transfer | David Morrow | | Charlie Parker | Leah Taylor | | Beaver Harris | Judah Wiedre |
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