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flavorpill NYC
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January 31 - February 6, 2006 |
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 Moira Hahn courtesy of Start Mobile |
Cultural Stimuli in NYC
Issue 295: bold flavor
Getting into cabs, on line at restaurants, bellying up to the bar, jockeying for position at the Idiotarod's starting line — New Yorkers have been pretty aggressive lately. Cabin fever symptoms, perhaps. But with the Torino Games just a week away — and with them, the arrival of those highly anticipated curling battles — it's easy to see why our alpha chromosomes are throwing down. Put them to constructive use with this week's competitive events, like the special-edition, bonkers trivia contest the Big Quiz Thing, or the indie-rock war to end all wars, the Plug Independent Music Awards. And if you're feeling so emboldened to take a road trip to (gasp!) New Jersey, Glenn Branca's Hallucination City casts 100 guitars in the experimental symphony from hell. Be bold, be decisive, be aggro, and spread it...
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flavorpill NYC is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
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Tickets are now available for the Whitney Museum of American Art's 2006 Biennial, Day for Night. Named after the 1973 film by French director François Truffaut, the 2006 Biennial surveys the contemporary American art scene, revealing a culture preoccupied with the irrational, the religious, the dark, the erotic, the violent, and the beautiful. Don't miss this provocative and reflective examination — buy tickets now and skip the lines! |
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Spotlight
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Bobos' Paradise
This week, The New Yorker kicks off a new series of free talks, starring members of the august publication's ace writing squad and a wide variety of literary luminaries, ranging from Oliver Sacks to Jonathan Lethem.
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| PHOTOGRAPHY |
Faking Death: Canadian Art Photography and the Canadian Imagination
| when: |
Now through Sat 2.4 (Tue-Sat: 10am-6pm) |
| where: |
Jack Shainman Gallery (513 W 20th St, 212.645.1701) map |
| price: |
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| links: |
Event Info |
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Faking Death takes its title from co-curator Penny Cousineau-Levine's
groundbreaking book, presenting a succinct overview of historical
and contemporary trends in Canadian art photography. Some works in
exhibition, such as Mark Leslie's installation Dying with AIDS/Living
with AIDS, 1991-92, which documents the artist's descent into diapered
decrepitude, rely on black humor. Others, including Michael Schrier's
super-saturated close-up of an elderly face or Donigan Cumming's spread of a
supine senior, display grotesque humanism, using lurid detail to investigate
processes of disfigurement. Kate Greenslade impresses with two prints,
Pop Rock and Surfing, from her series Fervour and Longing,
Wales. In both, young boys sit ensconced in dreary domesticity,
suggesting beatific, outcast angels of video culture. (AM)
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| DISCUSSION |
The New Yorker Nights feat. Larissa MacFarquhar and Oliver Sacks
| when: |
Tue 1.31 (7pm) |
| where: |
Miller Theatre (2960 Broadway, Columbia University, 212.854.7799) map |
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| links: |
Event Info | Oliver Sacks |
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Indulge your inner psych-junkie with a conversation between New Yorker staff writer Larissa MacFarquhar and Oliver Sacks — who's made a career of turning case studies about neurological disorders into bestsellers and Robin Williams movies, all with prose lyrical enough for the New York Times to call him the "poet laureate of medicine." This talk kicks off a series of discussions between the magazine's staff and contributors at Columbia University's Miller Theatre — cheaper than a New Yorker issue, and livelier than just about anything you'll see in print. (CA)
Note: There are five other events in the series, which continues through Tue 4.25.
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| COMPETITION |
The Big Quiz Thing
| when: |
Tue 1.31 (8pm) |
| where: |
Ars Nova Theatre (511 W 54th St, 212.489.9800) map |
| price: |
$10 |
| links: |
Event Info |
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You watched Jeopardy! from grandma's lap. You play Trivial Pursuit with $100 chips. Your soul swells with schadenfreude watching Millionaire contestants lifeline $400 questions. In sum, you're a Big Quiz Thing player. Quizmaster Noah Tarnow leads teams through all manner of super-premium factoid warfare: '70s sitcom trivia, backward-song audio rounds, current events, and more. Though they've been Slipper Room mainstays for three years, Tarnow and his sidekicks — wisecracking co-compere EDP and punk-rock DJ GB — decamp to the Ars Nova for this special-edition Midtown throwdown. To the victorious team goes $250 cash. Relax, Trebek acolytes — no need to phrase responses in the form of a question. (JS)
 What recently landed Jeopardy! in the Guinness World Records books? The fourth and fifth correct responses each win a pair of tickets to this test-of-wits.
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| FILM |
Who Gets to Call It Art?
| when: |
Wed 2.1 - Tue 2.14 (1:15, 3, 4:45, 6:30, 8:15 & 10pm) |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
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Best known for curating the first contemporary art exhibition at the Met,
New York Painting and Sculpture: 1940-1970, bohemian art connoisseur
Henry Geldzahler left an indubitable mark on the art world. As a student at
Yale and Harvard, Geldzahler entered the scene in the '60s, quickly
separating himself from other critics and curators by diving into artists'
social circles. This documentary shows Geldzahler's great passion and
intellect, highlighting his keen eye and the flamboyant personality that
made him a natural leader. A wealth of recent and archival footage featuring
artists and dealers paints a lively portrait of the contemporary milieu and
a man whose influence seeded change within one of the world's largest
institutions. (PJ)
What caused the final rift in Geldzahler and Andy Warhol's relationship? The ninth correct response wins a pair of tickets to the Mon 2.6 (6:30pm) screening.
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| ART: Opening |
Everything beautiful and noble is the result of reason and calculation
| when: |
Thur 2.2 (6-8pm) |
| where: |
Elizabeth Foundation for the Arts Gallery (323 W 39th St, 2nd Fl, 212.563.5855) map |
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Event Info |
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Organized by the Swiss Institute's Gabrielle Giattino and Whitney at
Altria's Howie Chen, this curatorial tour de force elaborates upon
Baudelaire's famous line from the seminal essay The Painter of Modern
Life to celebrate a new generation of contemporary artists working with
conceptual strategies. A massive installation-cum-performance by David Adamo
and Michael Portnoy, featuring an army of interns investigating the
production of lemon water, headlines the opening reception. Alex Hubbard's
video work Moolack Beach Sunset Reversal II turns time and place
inside out, and Justin Matherly's delirious, gilded sculpture confounds the senses. Against the backdrop of the fashion
district, these works underscore seductive visuality with provocatively
jarring aesthetic puzzles. (AM)
Note: This exhibition continues through Sat 3.25 (Wed-Sat: 12-6pm).
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| MUSIC |
PLUG Independent Music Awards
| when: |
Thu 2.2 (7pm) |
| where: |
Webster Hall (125 E 11th St, 212.353.1600) map |
| price: |
$20 |
| links: |
Event Info |
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Indie music makers and takers, it's time to find out who you elected to win
this year's PLUG Awards. Celebrating accomplishments in the music scene in
2005, these awards honor everything from the best festival to the magazine
of the year. Hosted by funny man Aziz Ansari, the informal ceremony will
include performances by the National, Celebration, Cage, and Chad VanGaalen,
with DJing from James F!@#$%^ Friedman. Warming things up for the evening's
gala is an all-day session of Indie Night School, featuring talent bookers,
label execs, and music journalists proselytizing about the industry. (MB)
Write an acceptance speech for the musician you think should win Artist of the Year. Our favorite response of 50 words or less wins a pair of tickets to this show.
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| MUSIC: Spazz Rock |
The Red Member w/ Soft Circle, Lexie Mountain, and Sand Cats
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Last fall, Baltimore noisemaker Rjyan Kidwell announced he was retiring his
white-boy rap persona Cex to focus full time on his new band Sand Cats.
Perhaps reacting to his tenure as the opening act for soothing yipster faves
the Postal Service, Kidwell has taken Sand Cats in a most extreme direction.
He and his wife adopt superhero personas, beat inexpertly on their
instruments, and change costumes between acts. It may not be easy listening,
but it's ballsy and different, to be sure. Stick around to check out Soft
Circle, ex-Black Dicer Hisham Bharoocha's psychedelic solo project. (CLH)
Note: Lexie Mountain and the Red Member also perform.
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| FILM |
Alfredo Jaar: Muxima
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Critical of the media's portrayal of early-1990s Rwanda, Chilean-born
Alfredo Jaar took off to witness and document the genocide there firsthand.
His disappointment with photographic objectivity led him through a
multimedia whirlwind in an attempt to express the traumas he saw without
direct imagery — through conceptual installation, public art, and flammable
architecture. Muxima marks the artist's cautious return to the image,
via film. Structured by ten versions of the folk song "Muxima," each
chapter of the film illustrates a slice of tumultuous Angolan life, dealing with
colonialism, independence, health crises, and civil war. Musical variation
illustrates the changes, while disparate visuals avoid narrative's lullaby,
forcing viewers to see a complex and shifting picture of contemporary
Africa. (JG)
Note: Muxima continues through Sat 3.18 (Tue-Sat: 10am-6pm).
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| DISCUSSION |
The Symposium: Does Comedy Matter?
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Fri 2.3 (9:30pm) |
| where: |
Magnet Theater (254 W 29th St, 212.244.8824) map |
| price: |
$10 |
| links: |
Event Info |
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Hoping to soothe the souls of thousands of struggling comedians, the Magnet
Theater has asked author John Hodgman, Onion editor Joe Garden,
Conan O'Brien writer Brian Stack, cartoonist Sam Means, Daily
Show creator Lizz Winstead, and improvaholic Armando Diaz to lead a
playful and pithy debate on the age-old question: Does comedy matter?
Civilian wags, wits, clowns, and philosopher kings are invited to join the
panel and indulge in tonight's topic. All speakers are given three to five minutes to
prove that even the worst knock-knock jokes have a right to be told. (MB)
In your opinion, what is the worst knock-knock joke? The most cringe-worthy response wins a pair of tickets to this event.
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| ALSO ON FRI |
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Exit.03 feat. Dr. Motte
Fri 2.3 (10pm-6am) Club Exit and Lounge (147 Greenpoint Ave, Gpoint, 718.349.6969) map $20 / $15 advance
Event Info |
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Dr. Motte is the man to thank (or blame) for Berlin's now-defunct Love Parade. A recent reissue of a Motte techno jam on Kompakt's Immer imprint gives the goofy party-starter new hipster currency. (GD)
 
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DJ
FIXED re-launch feat. Simian Mobile Disco
Fri 2.3 (10pm) The Annex (152 Orchard St) map $7 / $5 with RSVP
Event Info |
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The mobile disco and remix wing of UK psych-pop band Simian joins JDH and Dave P
for the re-launch of one of the city's most consistent
electro/techno/whatever parties. NYC's the Bangers round off the bill downstairs. (CJN)
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| MUSIC: 600-String Symphony |
Glenn Branca: Hallucination City: Symphony 13 for 100 Guitars
| when: |
Sat 2.4 (7:30pm) |
| where: |
Montclair State University, Alexander Kasser Theater (Montclair, NJ, 973.665.5112) map |
| price: |
$25 |
| links: |
Event Info | Glenn Branca |
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Sometimes you're sitting around listening to the Eagles thinking, "Having
three guitar players is so buff, so rock 'n roll — but you know, I could use
even more." Glenn Branca, a fixture in New York's avant-garde rock
scene since the late 1970s, trumps even the wildest heights of juvenile
hyperbole by offering 100 freakin' guitars on one stage to perform his
Hallucination City: Symphony 13 for 100 Guitars. Branca's not in the business of
complicated, gut-shredding riffs and sheer volume so much as strata of
tone motoring in synchronicity, making for huge walls of texture. Proof that
even in the days of high-tech sound synthesis, guitars can do beautiful,
amazing things when rubbed right. (MP)
Note: RSVP to secure free transportation from the Maritime Hotel (88 9th Ave) at 6pm to this show.
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| MUSIC: Northern Gothic |
Calla w/ the Boggs
| when: |
Sat 2.4 (9pm) |
| where: |
Northsix (66 N 6th St, Wburg, 718.599.5103) map |
| price: |
$12 / $10 advance |
| links: |
Event Info | Calla | The Boggs |
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Upon entering Calla's record-release show at the Brooklyn Lyceum last fall,
many audience members found themselves unable to see their hands in front of
their faces. While no one likes a smoke-machine abuser, Calla made the murk
desirable; the sound was as dense and swirling as the clouds around the
listeners' heads. Tonight and tomorrow finds them wrapping up a US tour promoting their excellent new record, Collisions, and the band hasn't lost the ethereal, droning aesthetic that
led Michael Gira to sign it to his Young Gods label back in 2000. Openers
the Boggs do the bluegrass-punk thing about as good as it gets. (CLH)
Note: Calla also perform at Maxwell's on Sun 2.5.
What was the first community in the continental US to issue a total outdoor smoking ban, and when did it go into effect? The sixth and seventh correct responses each win a pair of tickets to this show.
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| ALSO ON SAT |
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MUSIC: Nugazer
Lilys w/ (The Sound of) Kaleidoscope
Sat 2.4 (8pm) Magnetic Field (97 Atlantic Ave, Bklyn, 718.834.0069) map $10 / $8.50 advance
Event Info |
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Kurt Heasley, the mercurial mastermind behind the ever-shifting Lilys lineup, has settled on yet another style — weaving gossamer melodies through shimmering, noisy, power-pop anthems. See 'em now, before he switches it up again. (TG)
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COMEDY
Laughing Liberally
Sat 2.4 (8:30pm) Town Hall (123 W 43rd St, 212.840.2824) map $15-50
Event Info |
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Sort of like a live, standup version of The Daily Show, Laughing Liberally plays to Americans' bizarre fascination with ridiculing, but not actually participating in, politics. (SP)
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MUSIC: Disco Rock
The Juan Maclean w/ Tim Sweeney, Kudu, and Holy Fuck
Sat 2.4 (9pm) Bowery Ballroom (6 Delancey St, 212.533.2111) map $15
Event Info |
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The Juan Maclean provides dance music in the guise of a rock band. Fellow DFA dance maestro Tim Sweeney is behind the decks, but don't be surprised if you hear guitars there too. (TB)
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DJ
Cut & Paste: JAM-NYC feat DJ Spinna w/ Rich Medina
Sat 2.4 (11pm) The Supper Club (240 W 47th St, 212.921.1940) map $20 / $15 with RSVP
Event Info |
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Tonight, eclectic selectors DJ Spinna, Rich Medina, and Rude Movements' Tyler Askew drop auditory bombs while hot-shit street and body artists converge to provide visual ground support. (LJ)
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| MUSIC: Detrius Rock |
Skeleton Key w/ the Giraffes and the Midnight Show
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Skeleton Key, once known for making music out of hubcaps, propane tanks, and
metal cans, displayed a more polished sound on their 2002 album Obtanium. Live, though, they quake the walls with exhilarating,
teetering cacophony. Bassist/singer Erik Sanko drifts between pop melodies
and bluesy vocals, while Rick Lee mans the junkyard percussion. The
unabashedly noisy rock of the Giraffes and the Midnight Show inaugurates
this ear-popping, heart-palpitating show. Don't be surprised if you come
home itching to build a drum kit out of kitchen utensils and your local
dumpster's contents. (FAY)
According to the Giraffes, who killed rock 'n roll? Correct responses three through five each win a pair of tickets to this show.
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| ALSO ON SUN |
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MUSIC: Psych Folk
Todd Deatherage w/ Picastro, Espers, and P.G. Six
Sun 2.5 (8:30pm) The Lucky Cat (245 Grand St, Wburg, 718.782.0437) map $5
Event Info | The Lucky Cat |
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This night of dark, lilting, experimental folk finds Espers helping P.G. Six
to rescue his voice from a well, while Picastro pitches in. A tree might
grow in Brooklyn, but these guys and gal want a damn forest. (MP)
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| DISCUSSION |
Rhizome.org and EAI present Net Aesthetics 2.0
| when: |
Mon 2.6 (6:30pm) |
| where: |
Electronic Arts Intermix (535 W 22nd St, 5th Fl, 212.337.0680) map |
| price: |
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| links: |
Event Info |
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Two organizations that have worked tirelessly to promote new-media art,
Rhizome.org and Electronic Arts Intermix, team up for this panel discussion
on the development of Internet-based art. Participants offer a wealth of
hyperconnected knowledge, including Cory Arcangel, who spreads the gospel of
art programming through gallery shows, lectures, and downloadable source
code; and Michael Connor, head of exhibitions at the British Film Institute.
Wolfgang Staehle is founder of legendary webart community Thing.net; Marisa
Olson's online projects include an American Idol training blog; curator
Caitlin Jones writes about the changing dimensions of the art world in a
recent issue of Believer; and Michael Bell-Smith radically advances
the cause of online file-sharing through his collaborative compilation 3
Notes and Runnin'. (AM)
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| MUSIC: Death Metal |
Nile w/ Hypocrisy and Soilent Green
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On Cuteoverload.com, the blog that posts the cutest animal pictures in the
history of the world, people often leave comments like, "That's totally
Photoshopped," because the sheer existence of such adorableness seems to
defy the laws of nature. Nile is the technical death-metal equivalent.
People often say, "That's totally Pro-Tooled," when listening to the
Egyptian-themed trio's records, but its inhuman skills are all-natural, as
one discovers when witnessing its devastation live. How else could Nile get behemoths like Sweden's brutal-yet-catchy Hypocrisy and Louisiana's
titans of grind Soilent Green to open for it? The only thing better than
tonight's show is a pile of puppies sleeping on top of Audrey Tautou. (GM)
Note: Raging Speedhorn, Decapitated, and With Passion open.
What was the original title of 1973's Soylent Green, and why was it changed? The second and third correct responses each win a pair of tickets to this show.
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| MUSIC: Slowcore/Americana |
Low w/ His Name Is Alive and Death Vessel
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Providence, Rhode Island's Death Vessel play eerie Americana reminiscent of
an antique 78 tucked away in an attic that, when played, opens a
hallucinatory portal to a lost time. Their release, Stay Close, ended
up a sleeper hit on critics' best-of '05 lists, and it's no surprise in an
indie-folk scene hungover on psychedelic British influences. Death Vessel
is steeped in some genuine weirdness akin to Clarence Ashley, the Carter
Family, and Harry Smith's archival collections. They open for veteran
Duluth, Minnesota-based slowcore rockers Low and Michigan's His Name Is Alive.
(BC)
American mass production of the 78rpm format continued into which decade, with what band creating some of the format's last successful releases? The fourth correct response wins a pair of tickets to this show.
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| ART |
Juergen Teller: Nurnberg
| when: |
Now through Sat 2.11 (Tue-Sat: 10am-6pm) |
| where: |
Lehmann Maupin (540 W 26th St, 212.255.2923) map |
| price: |
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| links: |
Event Info |
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Marc Jacobs' advertising force Juergen Teller combines personal projects
shot around Nuremberg with commercial outtakes for this exhibition. Bavarian
tropes of woodland flora and fauna appear with a curled-up Bambi and hearty
wildflowers growing against the stones of Nazi ruins, while darker currents
of Teutonic identity run through the blood-rust graffiti of "love" and a
charred rotisserie carcass. An intensely focused portrait of Teller's young
daughter Lola against white hydrangea contrasts with a playfully erotic take
of the supermodel Gisele sprawling amid red tulips. The photographer's
flash washes over each female with cool remove, questioning the intimacy of
a family snapshot over a high-production fashion shoot, and demonstrating the
revelations of his uniquely holistic practice. (CEK)
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UNDERGROUND PATROL: War News Radio |
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Hiding in hotel rooms and offering 30-second soundbites isn't the best way to report the whole story from Iraq. While journalists make a valiant effort, it's just not always possible to collect the tales of ordinary Iraqis — a people who have endured centuries of civil unrest. With War News Radio, undergrad journalism students at Swarthmore College remedy this problem by actively soliciting the firsthand stories of Iraqi citizens. The approach is simple: the students use Iraqi phone books to call real Iraqis and record their words. Since launching two semesters ago, the group has booked interviews with countless everyday people, along with important figures like the CEO of the new Iraqi Stock Exchange and Sunni politician Adnan Pachachi. (JCF)
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CD REVIEW: Cat Power, The Greatest |
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Matador
Released January 2006
$13.99 (Insound)
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As the story goes, Matador Records' royalty sat Chan Marshall down and asked
what it would take to get her to record a new Cat Power record. Having grown
up on classic Southern soul, she requested a dream-cast of Memphis session
musicians — led by Al Green's favorite guitarist and songwriting
partner — to record with her in the Stax label's famed Ardent Studios,
where Big Star forged their own link between underground rock and soul over
30 years ago. Her wish granted, The Greatest finally allows
Marshall's hazy introspection to breathe. Full, gorgeous arrangements only
deepen her forlorn intensity, as on the elegiac track, "The Moon."
Elsewhere, she achieves something like rapture amid swirling organs, funky
horns, and especially the swooning string arrangements on the album closer,
"Love and Communication." (KB)
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MULTIMEDIA: Warp Records |
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Warp is coming off a banner 2005 that saw notable releases from Jamie Lidell, Jackson and His Computer Band, Boards of Canada, Maxïmo Park, and many others. The label, founded by Steve Beckett and Rob Mitchell back in 1989, is indisputably one of the most important forces pushing electronic music's evolution, having served as an early home for the likes of Aphex Twin and Squarepusher. In 2006, Warp shows no signs of fatigue, with albums in the works from Prefuse 73, Jimmy Edgar, and — definitely a band to watch — Battles. Here, indulge in some Warp media, including a dazzling live Lidell performance, videos from the Maxïmo lads and — the coup de grâce — an exclusive streaming megamix from Jackson. (CJN)
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Jamie Lidell: Live at the Royal Festival Hall (Robo-soul)
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Maxïmo Park: Various videos (Post Punk)
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Jackson: "Smash Up Megamix 1.0" (Cut-up techno)
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| Header Design: |
| Hilary Swank | Moira Hahn courtesy of Start Mobile |
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| Editors: |
| Pterodactyl | Geeta Dayal | | Linda Hamilton | Jocelyn K. Glei | | Terminator | Jake Lancaster | | Russel Crowe | Doug Levy | | Slipknot | Sascha Lewis | | John Wayne | Andrew Maerkle | | Tonya Harding | Mark Mangan | | Michelle Yeoh | Kristin Miller | | The Gorgeous Ladies Of Wrestling | Colin J. Nagy | | Big Jim Slade | Stephan Paschalides | | Giardia | Jonathan Schultz |
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| ABOUT US |
| flavorpill NYC is a free weekly email magazine covering music, arts, and cultural events in New York City. All listings are pure editorial, never paid advertisements — no money is accepted from venues, artists, or promoters. Read more about us, and spread it... |
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| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
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To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
To find out more about submitting cover art to run at the top of Flavorpill publications, go to flavorpill.net/design. |
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MEDIA PARTNERSHIPS |
| Every week, flavorpill NYC presents one exclusive media partner. Click for more information about advertising opportunities on all Flavorpill publications. |
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| Contributors: |
| Oprah | Mindy Bond | | Refrigerator Perry | Karl Briedrick | | Jennifer Garner | Brett Castle | | Cujo | Josh C. Forbes | | The Kool-Aid Man | Todd Goldstein | | Bruce Willis | Cortney L. Harding | | Mr. Clean | Lance Jacobs | | Hulk Hogan | Paddy Johnson | | Jaws | Catherine E. Krudy | | Tony Jaa | Gerry Mak | | Juggernaut | Mike Powell | | Lucy Liu | Faith-Ann Young | | Bigfoot | Todd Burns |
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Production: |
| Hemingway | Anjuli Ayer | | Henry Rollins | Casey Acierno | | Sigourney Weaver | Jessica Bauer-Greene | | Henry Chinaski | Morgan Croney | | Catherine Gaffney | Jules Gaffney | | Immanuel Kant | Casey Acierno | | Raptors | Sander-Martijn Milks | | Aaron Neville | David Morrow | | Chuck Norris | Leah Taylor | | Dude from Smash Mouth | Judah Wiedre |
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MORE FILTERED CULTURE |
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