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flavorpill NYC
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February 28 - March 6, 2006 |
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 Neuarmy |
Cultural Stimuli in NYC
Issue 299: statuesque flavor
With the Academy Awards on the horizon, the city is appropriately flushed with cinematic excitement: Eternal Sunshine director Michel Gondry takes us back to Dave Chappelle's massive 2004 Brooklyn block party; David Lynch's twisted classic, Blue Velvet, creeps into Film Forum for a big-screen run (with an appearance by Isabella to boot); lovable deviant John Waters lends his musings on Marguerite Duras; and the Oscars earn their own schtick-y send-up courtesy of Murray Hill. Even the ever-controversial Whitney Biennial — which you can preview with a curator discussion — gets in on the action, drawing its name from a François Truffaut film. This week's silver lining isn't limited to the screen, however. Music geeks can sit in on a post-punk chat with scribe Simon Reynolds, hear Serena Maneesh serenade them with shoegazer symphonies, or the Clipse kick trapper tales. Plus, Flavorpill and the Guggenheim's celebrated First Fridays series returns with Carlos D. Save the speech, and spread it...
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flavorpill NYC is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
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A dynamic new collaboration between Budweiser Select and Flavorpill, Select Flavor harnesses the talents of up-and-coming artists and designers to interpret Select — a premier hand-crafted beer — and its iconic crown through original artwork. Expect a new kind of creativity. Expect everything.
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Spotlight
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Miami on
Blast
With performances by Coldcut, Jamie Lidell, Hot Chip, and dozens more, plus
panel discussions led by top industry insiders, the third annual M3 Summit rocks South Beach
from March 22nd-26th. Get in on the action with special discounts and
late-breaking promotions.
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| DISCUSSION |
John Waters hosts Marguerite Duras' Le Camion (1977)
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This evening concludes the French Institute Alliance Française's month-long valentine to the work of the late,
great revolutionary French novelist, screenwriter, and director Marguerite
Duras. After penning the Academy Award-nominated screenplay for Alain
Resnais' Hiroshima mon amour (1959), Duras climbed into the
director's chair, helming 19 films including Les Enfants (1984) and
India Song (1975). When asked about her celluloid endeavors, Duras
said, "I approach cinema with the intention to murder it." Tonight, director
John Waters presents her 1977 Cannes Film Festival entry Le Camion,
which stars herself and Gerard Depardieu. Following the screening, Film
Comment's Kent Jones and Waters discuss Duras, covering such topics as
why Todd Tomorrow's art-house drive-in featured "Marguerite Duras from dusk
till dawn." (MB)
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| MUSIC: Brooding Crooner |
Nicolai Dunger feat. Members of Mercury Rev
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Nicolai Dunger, fondly nicknamed the "Swedish Van Morrison," shelved his guitar and collaborated with Mercury Rev to produce the release Here Is My Song You Can Have It...I Don't Want It Anymore/Yours 4-Ever, Nicolai Dunger. Forged in the double-crucible of relationship heartbreak and his mother's death, Dunger's eighth album includes instrumental contributions from Mercury Rev, whose rich, at times rollicking sound elevates Dunger's tender, bluesy crooning and his oft-melancholy songwriting. Tonight, members of Mercury Rev serve as Dunger's backing band. (FAY)
 Which eccentric British singer does Dunger claim is his biggest idol? The first correct answer wins a pair of tickets to this show.
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| ALSO ON TUE |
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PANEL
Simon Reynolds: Post Punk 1978-1984
Tue 2.28 (7pm) Mo Pitkin's (34 Ave A, 212.777.5660) map $8
Event Info |
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Simon Reynolds celebrates his new completist post-punk tome Rip it Up and
Start Again with a panel discussion starring former Contortions singer
James Chance, ex-Flying Lizard Vivien Goldman, and Orange Juice drummer
Steven Daly. (GD)
 
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| FILM |
Our Brand Is Crisis
| when: |
Wed 3.1 - Tue 3.14 (1, 2:50, 4:40, 6:30, 8:20 & 10:10pm) |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
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The unfortunate turn of events captured in Rachel Boynton's documentary, Our Brand Is Crisis, exemplifies why American-style democracy doesn't always translate abroad. In Crisis, unpopular Bolivian presidential candidate Gonzalo Sanchez de Lozada (aka Goni) hires James Carville and his marketing-savvy politicos to help him win Bolivia's highly contested 2002 presidential election. By American standards, Goni is a good liberal fighting for progressive capitalism, but his fellow citizens see him as a right-winger "selling off the country." The film follows the campaign as Carville's well-intentioned spin doctors sell what they see as bad-tasting but necessary medicine to the Bolivian people. In the end, the only clear winner is Boynton, for her selection of riveting, timely material and her vigilant, nonpartisan approach. (MB)
Note: There is a Q&A with filmmaker Rachel Boynton following tonight's 8:20pm screening.
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| ALSO ON WED |
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DANCE
Ivy Baldwin Dance and Kate Weare
Wed 3.1 - Sat 3.4 (7:30pm) Dance Theater Workshop (219 W 19th St, 212.691.6500) map $20
Event Info |
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Inspired by Edward Gorey's witty melancholy and Soviet oppression, respectively, Ivy
Baldwin's Gone Missing follows five characters lost in an
inhospitable forest, while Kate Weare's Wet Road takes an intense
look at female desire through tango. (SP)
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| MULTIMEDIA |
Iannis Xenakis: La Légende d'Eer (2004)
| when: |
Thur 3.2 & Fri 3.3 (8pm) |
| where: |
Anthology Film Archives (32 2nd Ave, 212.505.5181) map |
| price: |
$12 |
| links: |
Event Info | Iannis Xenakis |
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Back when Laser Floyd was invading your local planetarium, Paris' Centre
Georges-Pompidou commissioned avant-garde composer and sometime architect
Iannis Xenakis to stage a multimedia presentation using light and
electroacoustics for its 1977 opening. Incorporating photos taken at the time,
Bruno Rastoin's film of Xenakis' La Légende d'Eer is both a
document of that performance and a gorgeous, impressionistic work unto
itself. Using mathematically interwoven electronics, percussion, and other instruments, including an African Jew's harp, Xenakis' seven-track composition is devastatingly precise and as grand and absorbing as it is bellicose. Taking its title from a Platonic parable and projecting
other mystic texts, the performance's ever-shifting visual component draws viewers
into an increasingly abstract internal odyssey. (AD)
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| PERFORMANCE |
Air Guitar NYC Regional Championship
| when: |
Thur 3.2 (9:30pm) |
| where: |
Knitting Factory (74 Leonard St, 212.219.3132) map |
| price: |
$15 / $10 advance |
| links: |
Event Info |
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Dust off your air axe and find yourself some hairspray. Tonight's 2006 Air
Guitar Regional champ will get the chance to challenge other regional
winners in June and, perhaps, topple their international competitors in
Oulu, Finland in late August. Aireoke contestants faux-shred for 60 righteous
seconds over a song of their choosing, with the top performers advancing to
perform a "surprise compulsory song." If you can't make the show, check out
the Air Guitar Nation doc, which premieres at this year's South by
Southwest music festival. (KH)
What song would you choose to demonstrate your mime-meets-rock star skills? The two most headbanging selections each win a pair of tickets to this event.
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| ALSO ON THUR |
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THEATRE: Multimedia
InsideOut
Now through Sun 3.19 (Thur-Sat: 7pm / Sun: 4pm) HERE Arts Center (145 6th Ave, 212.647.0202) map $18
Event Info |
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Live Project redefines live performance while offending and inspiring. Their
latest project, InsideOut, tells the story of a man who wakes up
trapped, while exploring issues like identity, revenge, and American beef.
(SP)
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DJ
Cheeky B*stard feat. James Murphy
Thur 3.2 (10pm) Hiro Ballroom, The Maritime Hotel (366 W 17th St, 212.242.4300) map $10 / $5 with RSVP
Event Info |
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Fresh from touring the world with LCD Soundsystem, DFA don James Murphy
takes to Hiro's decks to spin a playful set spanning disco, industrial,
punk, and if we're lucky, a lighters-up rave anthem or two. (CJN)
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| FILM |
Blue Velvet (1986)
| when: |
Fri 3.3 - Thur 3.16 (1:30, 4, 7 & 9:30pm) |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
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Pornography was what they called it. Absorbing the wide-open sensuality that
David Lynch smeared across grass lawns, picket fences, and other comforting,
Peyton Place-era images of Americana, several of Blue
Velvet's first-look critics closed their eyes, covered their ears, and
muttered "obscene." Now, for the film's 20th anniversary, a limited-run re-release offers our shock-and-awe generation a
chance to discover, en masse and in the dark, what all the fuss was about:
Isabella Rossellini. Arms outstretched, lips parted and waiting, she is
Dorothy Vallens, or the Blue Lady — all quivering lust and naked
despair. A symbol of the unacknowledged desires that everyone has, she is
hard to look at, but never to be forgotten. (LG)
Note: Isabella Rossellini appears for the Mon 3.6 (7pm) screening.
Which 1980s film star was initially offered the role of Sandy in Blue Velvet, and had her mother decline for her due to the graphic nature of the part? The second correct response wins a pair of tickets to the screening on Mon 3.6 (7pm).
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| MUSIC: Chorale Magnifique |
Le Mystère des Voix Bulgares
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Female a capella choirs from Bulgaria produce one of the more intriguing
forms of world music. Their haunting, gorgeous voices intone ancient Ottoman
chants and complex modern intervals at a preternaturally perfect pitch,
weaving a sonic tapestry that resonates with matchless timbres, rhythms, and
harmonies. Decades of honing their craft have allowed Le Mystère des Voix
Bulgares to become the torchbearers of this original and breathtaking
musical style. (JM)
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| DJ |
The Guggenheim and Flavorpill present First Fridays feat. Carlos D
| when: |
Fri 3.3 (9pm-1am) |
| where: |
Guggenheim Museum (1071 5th Ave, 212.423.3500) map |
| price: |
$20 |
| links: |
Event Info |
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After a brief hiatus, the First Fridays series is back, and tonight's theme
seems to be angles, ranging from the minimalist iron sculptures in David Smith: A Centennial, to Carlos D's iconic haircut. Watch out for jutting
elbows and sharp knees as attendees slink and shimmy around Smith's majestic
works, which marry cubist influences and industrial designs. The soundtrack
is provided by Carlos D, who, in addition to being a rock star, is also
pretty handy behind the decks. Expect a set that creeps out of the shadows,
leaning heavily on atmospheric dark wave, but don't be surprised if he
throws in a hit or two to keep the crowd guessing. Members of VHS or Beta
open with a DJ set, slinging post-punk and new wave firecrackers. (CLH)
What musician do you think has the most incomparable 'do? Our favorite response wins a pair of tickets to this event.
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| MUSIC: Hip-Hop |
The Clipse w/ DJ Clinton Sparks
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Despite coasting on beats from the Neptunes back when that was a novelty,
Virginia Beach's the Clipse were waylaid by label beefs. Rather than sit
back and take it, Malice and Pusha T recruited Ab-Liva and Sandman to form
the Re-Up Gang, dropping two of last year's best mixtapes, We Got It 4
Cheap, volumes one and two. Whether blessing fresh tracks or hijacking
and tricking out radio-tested rhythms, the Clipse slung crack rhymes so dope
they made Juelz' finest sound half-baked. Now, with a legion of fiends
salivating for their full length, the pair have proved that, far from being
Pharrell's lapdogs, they've got the game sown up. Come get familiar as they
murder the Knitting Factory with svengali DJ Clinton Sparks. (TW)
Pharrell and fellow Neptune founder Chad Hugo met in the seventh grade, but how far back do Malice and Pusha T go? The fourth correct answer wins a pair of tickets to this show.
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FILM
Dave Chappelle's Block Party
Opens Fri 3.3 Various locations
Official film site |
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Kanye West, the Roots, and a reunited Fugees are among the acts featured in
this Michel Gondry-directed film of the '04 outdoor concert/comedy
spectacle, hosted and curated by master jab man Dave Chappelle. (MB)
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| DISCUSSION |
Conversations on Art: Introducing the Whitney Biennial 2006: Day for Night
| when: |
Sat 3.4 (6-9pm) |
| where: |
Whitney Museum of American Art (945 Madison Ave, 212.570.3676) map |
| price: |
$8 |
| links: |
Whitney Museum |
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Every two years, the Whitney Biennial takes stock of the American art
landscape. This year's Biennial, however, expands that landscape as none
other has done before, including, for the first time, artists practicing in
Europe in addition to those stateside. Additionally, the infamous Wrong
Gallery curates an exhibition within the exhibition, Down By Law,
looking at representations of American outlaws, while Mark di Suvero — along
with Rirkrit Tiravanija and 180 other artists — recreates his landmark
Peace Tower, originally constructed in 1966 out of 2'x2' panels
submitted by artists from around the world. Curators Chrissie Iles and
Philippe Vergne put everything into
perspective tonight in a series of three conversations. (AM)
Who was responsible for bringing down America's most romantically notorious (and notoriously romantic) outlaws, Bonnie and Clyde? Correct responses seven through nine each win a pair of tickets to this event.
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| MUSIC: Noise |
Whitehouse w/ Wolf Eyes and Pig Destroyer
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Remember when your ears invaded your village and slaughtered
everyone? Well, it's time to get even at tonight's aural pillaging. Wolf
Eyes, those nigh-unlistenable sound experimentalists, torture their guitars
and coax howls of pain from miscellaneous electronic implements after Pig
Destroyer loosen connective tissues with blast beats and churning, venomous
grindcore. But the real vengeance is meted out by Whitehouse, legendary
extreme noise knob-twiddlers. These champions of depraved perverts
everywhere are sure to get the sausage-fingered masses quivering with
misanthropic lust as ear drums and other sensitive membranes rupture. (GM)
Note: The same lineup with the addition of Bloody Panda also appears at Northsix on Fri 3.3 (9pm).
Regular exposure to noise above what decibel level is considered to threaten hearing loss? The first and third correct responses each win a pair of tickets to this show.
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| ALSO ON SAT |
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FILM
Three by Desplechin
Sat 3.4 (5 & 8:30pm) & Sun 3.5 (5pm) Anthology Film Archives (32 2nd Ave, 212.505.5181) map $12
Event Info |
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With unmarketable run-times, French director Arnaud Desplechin's films are messy, chatty, inventive masterpieces. Though little seen in the mainstream, Kings and Queen was one of '04's best, while Esther Kahn (2000) and My Sex Life (1996) crackle with a transformative intensity. (JKG)
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DJ
Matthew Dear as Audion
Sat 3.4 (10pm) R&R (416 W 14th St, 212.675.2220) map $10
Event Info |
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Matthew Dear, the Ghostly International family's alpha-jock, brings his hard,
sexed-up, acid alias Audion tonight. Don't be offended if the audience begs
for his "Titty F*ck" all night. (TB)
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| COMEDY |
Fifth Annual Murray Hill Oscar Party
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More often than not, a reference to Mr. Murray Hill as a king is a nod to
his status in Manhattan's underground showbiz royalty. Tonight, he shares the
limelight with performer and artist Mike Albo's comedy troupe Pu Pu Platter,
featuring the rubber-faced John Roberts and Sandra Bauleo, to provide a full
night of Oscar celebration. Running commentary interspersed with celebrity
imitations, movie trivia, and re-enactments of the nominated films entertain
during commercials. An abundance of prizes, including a grand prize for the
winning Oscar predictions ballot, keeps the interest high and, with any
luck, tunes Joan Rivers out. (JG)
In 50 words or less, give your earnest defense of Joan Rivers. The most convincing response wins a pair of tickets to this event, and a Murray Hill t-shirt.
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| FILM |
Some Kind of Horror Show feat. Four Flies on Grey Velvet (1971)
| when: |
Mon 3.6 (6:50 & 9:15pm) |
| where: |
BAM's Rose Cinema (30 Lafayette Ave, Bklyn, 718.636.4100) map |
| price: |
$10 |
| links: |
Event Info |
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Maybe taglines like "He invoked the unspeakable...she INVITED it!" and
"Terror that tears the screams right out of your throat!" aren't enough to
draw you, but what about the opportunity to see Dario Argento stroking Don
Rickles' head? BAM's Some Kind of Horror Show series kicks off with
Argento's third feature, Four Flies on Grey Velvet, and
includes forgotten films by directors who specialize in the genre (George
A. Romero), as well as quasi-horror films by more mainstream directors like the Nicolas Roeg/Jim Henson collaboration, Witches (1990). With
adult-oriented splatter-fests, creepy kids' films, and even some Japanese
offerings from a wide range of cinematic eras, this series aims to fill
those gaping holes in your horror education. (GM)
Note: The 6:50pm screening also includes an opening night party, sponsored by the Onion.
Which horror film trilogy has all three titles among the top 25 grossing films in the genre? The sixth correct response wins a pair of tickets to the opening screening and party (6:50pm).
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| MUSIC: Shoegaze |
Serena Maneesh w/ Asobi Seksu
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Continuing in the shoegazing tradition of Sonic Youth, the Jesus and Mary Chain, and My Bloody Valentine, Norwegian quintet Serena Maneesh tune into the college radio of the early '90s, layering abrasive and distorted sounds with Animal Collective-reminiscent psychedelia. Onstage, leader Emil Nikolaisen, sister Hilma, and cohorts ignite the crowd, expanding on the philosophical journey they began with their eponymous debut album — which, not surprisingly, was mixed by SY producer Martin Bisi. NYC's teething white-noisers and hopeless romantics Asobi Seksu open. (PG)
How did My Bloody Valentine get its name? The first correct response wins a pair of tickets to tonight's show.
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| ALSO ON MON |
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DJ
Deep Space feat. Derrick May
Mon 3.6 (9:30pm-3:30am) Cielo (18 Little W 12th St, 212.645.5700) map $10 / $5 before 10pm
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Tonight, Derrick May spins pal François K's Deep Space party from open
to close. Expect expert mixing in a musical style May more-or-less
invented — you may have heard of it: techno. (CEH)
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| THEATRE |
The Wooden Breeks
| when: |
Now through Sat 3.11 |
| where: |
Lucille Lortel Theatre (121 Christopher St, 212.279.4200) map |
| price: |
$60 |
| links: |
Event Info |
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Big ideas worthy of capitals like Love, Loss, Life, and Death get rattled
about like bric-a-brac in Glen Berger's marvelous jewel box of a play. Set
in 19th-century Scotland, The Wooden Breeks opens with a drunken
tinker who attempts to get over the memory of the lass who left him by
literally pissing on a dying flame. As the last of the embers gasp for
immortality, he is prompted by the bastard son she left behind to conjure
one final tale about the mother the boy never knew. His narrative comes to life
in the form of the fantastical village of Brood, whose citizens are visited
by a saleswoman hawking a bell-like device meant to save people who are
prematurely buried. (KI)
When was the first-documented kilt worn in Scotland? The ninth correct response wins a pair of tickets to the performance of The Wooden Breeks.
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| PHOTOGRAPHY |
Anthony Lepore: I Would Make You My Own
| when: |
Now through Sat 3.11 (Tue-Sat: 10am-6pm) |
| where: |
Marvelli Gallery (526 W 26th St, 2nd Fl, 212.627.3363) map |
| price: |
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| links: |
Event Info |
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Anthony Lepore's large, rich color prints capture people and the
environments they inhabit in acutely uncanny moments. The show's title, I
Would Make You My Own — loaded like a Barbara Kruger slogan
— emphasizes the work's recurring theme of excessive desire, the
obsessive logic of acquisition, possession, and accumulation. Baltimore,
Maryland suggests a still from John Waters' toxic dreams, depicting a
rotund Episcopal priest and his ample wife presiding over a feast of corn
and crab in blissful gluttony, while the suburban matron in Landing, New
Jersey lounges in a room overflowing with replica Louis XIV furniture,
chandelier dangling from a too-low ceiling and fake flowers on the coffee
table, as garishly glamorous as Daniela Rossell's Third World Blondes.
(GKH)
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| ALSO ONGOING/UPCOMING |
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MUSIC: Upcoming
Nada Surf w/ Rogue Wave
Wed 3.8 (8pm) Webster Hall (125 E 11th St, 212.388.0300) map $20
Event Info |
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Rogue Wave have been compared to everyone from the Shins to, well, the Shins, but they make it clear that not all music suitable for sunny-day walks in the park has to appear in a Zach Braff film in order to shine. (CA)
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WORD OF THE DAY: Visual Dictionary |
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Started just over a month ago by Londoner Matthew Knight, the Visual Dictionary is an online project created to collect images of words found in that mack daddy of dictionaries, the OED. It's a participatory project, with an open call to logophiles and aspiring shutterbugs to help evolve the site by contributing photos of single words spotted on subways, street signs, beer cans, and other found objects. And, with just over 200 entries submitted so far, ample opportunity remains to stamp the project with your unique perspective. Initially, the site will be user-moderated, and plans to add Flickr support are in the wings — but TVD's progress can be conveniently monitored via their blog and RSS feeds. (IB)
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DVD REVIEW: Why Should the Devil Have All the Good Music? |
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Blank Stare Films
Released January 2006
$21.99 (Amazon)
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Christian rock bands tend to get the short end of the cred-stick — to
put it mildly — but no one ever said marrying Satan's music to its
theological antithesis would be easy. Shedding light on the oft-scoffed-at
phenomenon, Heather Whinna and Vickie Hunter's Why Should the Devil Have
All the Good Music? surveys the current Christian-rock landscape with a
sensitive, outsider's eye. A many-faceted scene tortured by its internal contradictions, the genre's practitioners
struggle to maintain faith in their music, their changing audience, and
their God. Highlights include the requisite rant from Steve Albini, a somber
moment with Pedro the Lion's David Bazan, and a performance
from avant-weirdos the Danielson Famile, in which they yelp "I love my Lord" over and over to an increasingly uneasy crowd. And yes, there are shots of the Stryper reunion, which is, as one would
expect, completely awesome. (TG)
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STREAMS: Flavorpill Radio on Heavy.com |
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Each week, Flavorpill filters the best live music, reviews essential new CDs, and points you to primo online media destinations. Now, teaming up with Heavy.com — the alpha and omega of Id-reveling Flash movie shorts — we offer 64 new, streaming tracks from our favorite artists. Not-yet-released Grandaddy, Hot Chip, Neko Case, and Calexico songs butt up against rare imports from UK MC Sway and Japanese metal maniacs Boris. Jimmy Edgar brings stuttering Teflon electro, Gnarls Barkley joins Danger Mouse and Cee-Lo for doo-wop soul-hop, and the late, great J Dilla (RIP) skews beats in his inimitable style. The Advantage take us through Castlevania, Spank Rock spits "Rubin"-esque rhymes, and Danielson jangles his pop sans Famile. From avant-Americana to synth-pop to microhouse, Heavy Radio's Flavorpill channel has something for every ear. (JL)
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| Header Design: |
| Teen Wolf Too | Neuarmy |
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| Editors: |
| Gigli | Jocelyn K. Glei | | Howard the Duck | Jake Lancaster | | Secret Window | Doug Levy | | From Justin to Kelly | Sascha Lewis | | Battlefield Earth | Andrew Maerkle | | Crossroads | Mark Mangan | | The Dreamers | Kristin Miller | | Kazaam | Colin J. Nagy | | Spiceworld | Stephan Paschalides | | Shanghai Surprise | Joshua Stein | | The Brown Bunny | Leah Taylor | | Rollerball | Toby Warner |
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| ABOUT US |
| flavorpill NYC is a free weekly email magazine covering music, arts, and cultural events in New York City. All listings are pure editorial, never paid advertisements — no money is accepted from venues, artists, or promoters. Read more about us, and spread it... |
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| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
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| EVENT & DESIGN SUBMISSIONS |
To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
To find out more about submitting cover art to run at the top of Flavorpill publications, go to flavorpill.net/design. |
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MEDIA PARTNERSHIPS |
| Every week, flavorpill NYC presents one exclusive media partner. Click for more information about advertising opportunities on all Flavorpill publications. |
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| Contributors: |
| Leprechaun: Back 2 tha Hood | Casey Acierno | | Two of a Kind | Mindy Bond | | Glitter | Irene Bradish | | Happy Accidents | Todd Burns | | Ishtar | Adam Davids | | Freddy Got Fingered | Jules Gaffney | | Xanadu | Pilar Gallego | | Mr. Wrong | Leigh Goldstein | | Hollow Man | Todd Goldstein | | Motel Hell | Carl E. Hagen | | The Pledge | Cortney L. Harding | | Six Days, Seven Nights | Katie Hasty | | The Godfather Part III | Gin K. Hsu | | Baby Geniuses | Kiwa Iyobe | | Showgirls | Gerry Mak | | Jaws III | John McCormick | | Superman IV | Faith-Ann Young |
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Production: |
| Exit to Eden | Anjuli Ayer | | Cobra | Chelsea Bauch | | Nell | Jessica Bauer-Greene | | The Island of Doctor Moreau | Morgan Croney | | Soul Man | Daniel Gendelman | | It's Pat | Sander-Martijn Milks | | Cheerleader Camp | David Morrow | | The Matador | Judah Wiedre |
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MORE FILTERED CULTURE |
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A twice-monthly, insider view on fashion trends breaking in Paris, London, New York, and around the world
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© 2006 Flavorpill Productions LLC. All rights reserved.
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