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 Tez Humphreys |
Cultural Stimuli in NYC
Issue 321: lamping flavor
While there are lots of reasons to stay out and active this summer, silver screens around the city are making a persuasive argument for seeking refuge in cool dark theaters — one that's certainly helped by this week's unsavory heat wave. Two visionaries receive retrospectives: silent film legend Buster Keaton and one of the Western genre's greatest auteurs, Sam Peckinpah. Brazilian films catch a little limelight with a weeklong series at the Tribeca Cinemas, Film Forum's Summer Swashbucklers series revisits legendary works of derring-do, RockDocs 2006 delivers nine new music-related flicks, Quinceañera corners the coming-of-age market, and cult classic The Warriors descends on its spiritual home of Coney Island.
So kick back, cool out, and spread it.
- Jake Lancaster, Managing Editor
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flavorpill NYC is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
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The Verizon Beatbox Mixer is a multimedia mashup of music video, video game, and drum machine. Make your own custom video mix featuring some of the best beatboxers anywhere, including Rahzel, Butterscotch, and Click Tha Supah Latin. It's all part of Verizon's effort to demonstrate the power of broadband to entertain and provide richer, deeper, broader experiences. |
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Flavorpill presents Upcoming Events
To help slake our readers' boundless cultural thirst, Flavorpill NYC now offers a weekly updated calendar of upcoming events, available only online. Get the downlow on upcoming shows with Iron & Wine, Kiki and Herb, Wu Tang Clan, and more.
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| ART |
Gifts go in one direction
| when: |
Now through Sat 8.12 (Tue-Sat: 11am-6pm) |
| where: |
Apex Art (291 Church St, 212.431.5270) map |
| price: |
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| links: |
Event Info |
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Central to Gifts go in one direction is the notion that imbuing objects with symbolic meaning is an essential human
characteristic, exemplified in both art and gift-giving. As such, this exhibition documents a web of artist exchanges and
explores the relationship between artistic practice, presents, and trade. Artist Richard Phillips gave his photorealistic
drawing Christy to the photographers who inspired the piece. Paul Ramirez Jonas gifted 12 bottles and rockets
to painter Amy Sillman, with instructions to light a rocket each year as a commemoration of her dog's death. Eliza Griffiths
believes that gifting puts restraints on exploration because it removes choice from the viewing experience, and gave the
light sequential figurative print Flashers to participating artist Julie Voyce. (PJ)
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| DJ |
Giant Step presents Ben Watt
| when: |
Tue 8.1 & Thur 8.3 (10pm) |
| where: |
Cielo (18 Little W 12th St, 212.645.5700) map |
| price: |
$20 |
| links: |
Event Info |
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Ben Watt's most recent mix, Buzzin' Fly, Vol. 3, may be his best yet. Half of the duo Everything But the Girl, Watt maintains dance-floor supremacy by always changing with the times. At this stage in his musical evolution, he's keeping things streamlined and soulful. With his judicious selections, Watt adds greater depth to deep house. As a producer, he creates a holistic listening experience, starting with quiet piano loops, smooth melodies, and spoken-word samples. Sure, he can still build up to those fist-pumping sugar rushes, but they're so much sweeter when they're earned. (JCF)
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| FILM |
Summer Swashbucklers
| when: |
Now through Thur 8.24 |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
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Errol Flynn is reason enough to see any film. Indisputably the sexiest man ever to
sport shoulder-length hair and a sash (with Gene Kelly as D'Artagnan running a distant
second), Flynn had already perfected his devil-may-care swagger by Captain
Blood (1935), his first jousting collaboration with director Michael Curtiz.
Kicking off with the heart-melting double bill of Flynn (in Blood) and Leslie
Howard (as the damned elusive title character of 1934's The Scarlet Pimpernel),
Film Forum's three-week celebration of muscled men with acrobatic aptitude offers four
opportunities to submit to Flynn's dazzling charms. Other gems include a dueling Danny
Kaye (in 1956's The Court Jester) and exciting b-rarities Scaramouche
(1952) and 1948's The Swordsman. (LG)
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| FILM |
Raising Hell: Sam Peckinpah
| when: |
Tue 8.1 - Tue 8.29 |
| where: |
BAM's Rose Cinema (30 Lafayette Ave, Bklyn, 718.636.4100) map |
| price: |
$10 per screening |
| links: |
Event Info |
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Sam Peckinpah's universe is an austere one. The landscapes of his Westerns are
oppressively sparse, and his anti-heroes — there are no heroes — are
tight-lipped men of flinty temperament and fierce values. Even the violence that flows
red and thick from his first movie to his last seems utterly essential. From tonight's
Ride the High Country (1962) to a less-edited Pat Garrett and Billy the
Kid (1973), BAM's festival highlights many of Peckinpah's lesser known works. But
even in films like Cross of Iron (1977), his lone World War movie, and the
unconventional The Ballad of Cable Hogue (1970), Peckinpah's status as Hollywood's
greatest anti-hero (or anti-Hollywood's greatest hero) is beyond repute. (JDS)
 Peckinpah has a small acting role in what cult sci-fi film? The sixth correct response wins a pair of tickets to Ride the High Country on Mon 8.7 at 9:15pm.
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| FILM |
Play it Loud: RockDocs 2006
| when: |
Wed 8.2 - Thur 8.10 (schedule) |
| where: |
Walter Reade Theater (70 Lincoln Center Plaza, 212.496.3809) map |
| price: |
$10 per screening |
| links: |
Event Info |
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Paying homage to concerts, musicians, and the various ear-popping incarnations of rock, this nine-film documentary series kicks off with
loudQUIETloud, a cozy behind-the-scenes portrait of the Pixies on their 2004
reunion tour. Other high notes of the week include You're Gonna Miss Me, the
tragic tale of Roky Erickson, frontman for 1960s psychedelic band 13th Floor
Elevators, and Olivier Assayas' Noise, which documents the Festival Art Rock,
and features performances by Metric, Malian performer Afel Bocoum, and Sonic Youth's
Kim Gordon and Thurston Moore in their Mirror/Dash side project. (MB)
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| ALSO ON WED |
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FILM
Netflix Rolling Roadshow feat. The Warriors (1979)
Wed 8.2 (8:30pm) Asser Levy Park Amphitheater (2nd St btwn Sea Breeze Ave & Ocean Pkwy, Coney Island) map
Event Info |
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Yes, Swan, this is what you fought all night to get back to. Come and see The
Warriors in its Coney Island setting. Stay for the post-screening Q&A from the
cast. (JRC)
 
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| ART: Film |
Walter de Maria's Hardcore (1969)
| when: |
Thur 8.3 (7pm) |
| where: |
Whitney Museum of American Art (945 Madison Ave, 212.570.3676) map |
| price: |
$8 |
| links: |
Event Info |
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Walter de Maria, like fellow "land artists" Robert Smithson and Michael Heizer, is drawn to expansive and challenging landscapes, as exemplified by his 1977 work Lightning Field, which flirts with the forces of nature in southwestern New Mexico. Predating that, de Maria's 1969 film Hardcore, screening tonight, demonstrates his long fascination with the American West by languorously tracking the surface of a dry, Mojave Desert lakebed. Simultaneously signaling a departure from environments influenced by man, and evoking that founding myth of America, Manifest Destiny, the iconography of the land is ripe with romanticism and the sublime. Shifting light reflects passing time and the otherworldliness of the desert, as the camera's eye consumes a vastness that in turn overawes the beholder. (GKH)
Note: Advance tickets are highly recommended.
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| FILM |
Quinceañera
| when: |
Opens Fri 8.4 |
| where: |
Sunshine Cinemas (143 E Houston St, 212.358.7709) map |
| price: |
$10.75 |
| links: |
Event Info | Quinceañera |
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Right at the cusp of her quinceañera, a 15th birthday celebration to rival a
21-gun-salute wedding, pregnant Mexican-American Magdalena and her recently outed,
rough-cut cousin Carlos are banished to the tiny casita of their unconditionally
loving great-uncle Tomas. There, in the rapidly gentrifying Echo Park neighborhood of
Los Angeles, the three form a black-sheep family until the real world and its
off-putting miracles creep under the door. Amongst the Movies To Slit Your Wrists By
that comprise the bulk of American indies this year, Quinceañera emerges
as a bracingly bright, lion-hearted film that commits so unfalteringly to its slightly
formulaic premise that it invites you to do the same. (LR)
The roots of the quinceañera celebration date back to what ancient civilization? The first three correct responses each win a pair of tickets to this film.
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| ART: Opening |
Kamp K48
| when: |
Fri 8.4 (6-9pm) |
| where: |
John Connelly Presents (625 W 27th St, 212.337.9563) map |
| price: |
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Event Info | K48 |
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In case you had forgotten, the natural world is still kicking on our big, dirty, spinning rock. People increasingly
conceptualize our relationship with nature through legends and movies, and Scott Hug, head of the art-punk fanzine
K48, brought together young artists to go kamping and explore a freaky, constructed version of the natural world.
Pairing mass media's tastes for alien abductions with campfire horror flicks and the masculinity-breeding inherent in the Boy
Scouts, the gallery turns into an over-stimulated frenzy of off-kilter homages to nature. Assume Vivid Astro Focus turfs the
space in neon zigzags, while Theo A. Rosenblum's glowing fire comes complete with s'mores and the roasting pig already diving
in. (JWG)
Note: This exhibition continues through Wed 8.30 (Mon-Fri: 10am-6pm).
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| MUSIC: Electro-Pop |
River to River Festival presents Hot Chip w/ Oppenhiemer
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With the terrific debut Coming On Strong already under their belts, Hot Chip rapidly became media darlings after their next release, The Warning, was cherry-picked by DFA. The album is a blast of potent mutant disco and cheekily lo-fi electro-pop. The wildfire enthusiasm surrounding it began to blaze this year as producers lined up to remix its tracks, with Erol Alkan, Solid Groove, Justus Kohncke, and DFA themselves just the boldfaced names. However, the Chip need very little help packing the dance floor — with an arsenal that includes the mesmeric stomper "Over and Over" and the sunny Italo anthem "And I Was a Boy from School," they promise to pluck even the most stubborn wallflowers. (TW)
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| ALSO ON FRI |
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MUSIC: Indie Pop
Page France
Fri 8.4 (8pm) Union Hall (702 Union St, Park Slope, 718.638.4400) map $8
Event Info |
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Earnest indie and kinda-Christian quartet Page France christen Park Slope's latest
watering hole-cum-bocce ball court with their endearingly folky pop. (LT)
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SPECTACLE
Kaiju Big Battel
Fri 8.4 (8pm) Warsaw (261 Driggs Ave, Greenpoint, 718.387.0505) map $20 / $18.50 advance
Event Info |
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Kaiju Big Battel illustrates just how far Western civilization has evolved since the gladiatorial arena. After all, nothing spells progress like an army of Japanese-inspired monsters duking it out in a battle royale meets WWF-style tournament. (CB)
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DJ
Duane Harriott w/ Theo Parrish
Fri 8.4 (10pm) APT (419 W 13th St, 212.414.4245) map $8
Event Info |
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An esteemed producer and remixer, Detroit's Theo Parrish serves up deep, soulful house and techno downstairs on APT's delightfully warm sound system. (CJN)
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DJ
Disorient presents Compressor 2.0
Fri 8.4 (10pm-6am) Club Exit (149 Greenpoint Ave, Greenpoint) map $20 / $15 advance
Event Info |
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The Burning Man-bound converge on Little Poland for an evening of dirty, pagan, breaks-filled debauchery. The flyer's Mad-Libs-for-tweakers say it all. (JL)
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| MUSIC: Afropop |
Kélélé w/ Lágbájá and the African Underground Allstars
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To bring the best in Afropop to the BK, Celebrate Brooklyn recruits veteran and
upstart performers from the motherland. Sax-wielding Nigerian Lágbájá is the obvious
heir to Fela Kuti's throne, but the masked musician uses his native conga-like ogido
drums and Yoruba language to pioneer a subgenre of his own. African
Underground Allstars feature Rakim-influenced Tanzanian MC Dola and
Bronx-by-way-of-Sierra Leone rapper Chosan. Congolese rumba ensemble Kékélé headline
the evening, blending the harmonies of seasoned singers Bumba Massa and Loko Massengo
with the acoustic guitars, French accordions, and swinging saxophone of more than a
dozen globally pedigreed talents. Gabon-raised R&B singer Razia, Martino Atangana, and
African Blue Note round out the day's lineup. (IB)
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| DJ |
Warm Up feat. A Touch of Class w/ DJ Rage Johnson
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Like fellow label/production duo the DFA, A Touch of Class' Oliver Stumm and Domie Clausen weathered the electroclash crash unscathed. Their hook-friendly rock inclinations might have appealed to that glam-informed scene, but ATOC's label tracks, remixes, and DJing proved more adaptable and enduring than asymmetrical haircuts and sexless, needlessly breathy vocals. For a taste of ATOC's finest, look no further than the slow-burning, soulful disco frenzy on their remix of the Gossip's "Listen Up!" Today, they spread the gospel at P.S.1's always-on Warm Up party. Inkheads graf artist Rage Johnson opens with old-skool NYC electro, Miami bass, and Latin funk. (JL)
Note: Just a short walk from P.S.1, Tim "Love" Lee headlines Rebound at Water Taxi Beach.
In what year did The Amy Vanderbilt Complete Book of Etiquette first grace Americans with a guide to acting classy? The fourth correct response wins a pair of tickets to this show.
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I (heart) Danger feat. Matthew Dear w/ eVa, Wolf + Lamb, and DJ Spinoza
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Leave it to DJ Spinoza, the man behind SubTonic's frequent Bunker freakouts, to keep NYC dancers on their toes. As generic superclubs threaten to gentrify the city's techno scene, Spinoza teams up with other nocturnal adventurers for I (heart) Danger, bringing Gotham a 12-hour Brooklyn rave-athon replete with booze, BBQ, and a giant loft complex packed with eye-popping multimedia art and bassbin-rattling beats. Matthew Dear headlines on the decks, cooking up his trademark blend of swingin' minimalism, while local leftfielders Wolf + Lamb and Spinoza himself keep the music as diverse as the environment. (JJ)
What do you "heart" most? The two most T-shirt appropriate responses each win a pair of tickets to this show.
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| MUSIC: R&Beat-down |
JellyNYC presents Pool Parties feat. the Detroit Cobras w/ the Everyothers and the Legendary Maxine Brown
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The Detroit Cobras aren't your average cover band. Updating '50s and '60s tunes with a
punky edge, the band twists and shouts with 'tude. Singer Rachel Nagy purrs, snarls,
and wails her way through every track, lending sass and sex appeal to girl group and
Motown obscurities. Birthed from the same Motor City scene as the White Stripes and
garage rock legends the Dirtbombs, the Cobras are enthusiastic and surprisingly
original and relevant revivalists. Local glammy rockers the Everyothers open with
sinfully good sleaze jams, convincing everyone that it really is very good to be bad,
and in a spot of inspired booking,'60s R&B vocalist the Legendary Maxine Brown takes the stage to
prove (or remind us of) her "legendary" status. (LT)
Note: The Cobras also play Maxwell's on Sat 8.5.
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| FILM |
Fourth Annual Brazilian Film Festival of New York
| when: |
Sun 8.6 - Sun 8.13 (schedule) |
| where: |
Tribeca Cinemas (54 Varick St, 212.941.2000) map |
| price: |
$12 per screening |
| links: |
Event Info | Tickets |
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Brazil's music began invading international consciousness decades ago, but it's only
recently that the world has turned to the tremendous well of Brazilian film —
thanks in no small part to Fernando Meirelles, who directed City of God (2002)
and The Constant Gardener (2005). But with all due respect to Meirelles, he's
only the tip of the iceberg, as evidenced by this wide-ranging showcase stamped with
that uniquely Brazilian combination of spiritual transcendence, political indignation,
and a raging fire in the belly. Of particular note: Rudi Lagemann's Angels of
Sun, Sandra Werneck's Teen Mothers, and Malu de Martino's Women of
Brazil. (LR)
Note: The festival kicks off tonight at SummerStage with the samba rock of Lenine and
a screening of the doc This is Bossa Nova — The History and Stories.
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| FILM |
The Best of Buster: Keaton Comedy Classics
| when: |
Mon 8.7 - Mon 9.25 |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 per screening |
| links: |
Event Info |
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With his colossal, oafish charm and hangdog demeanor, Buster Keaton may not be hailed
as the most recognizable silent film comedian (Charlie Chaplin reserves that honor)
but arguably as the most innovative. As an actor, his shtick was as the pokerfaced,
triple-taking straight man, struggling valiantly and unsuccessfully to navigate the
flibbertigibbets flanking him — as in Spite Marriage (1929), in which
he's in over his head as the rebound husband for a Broadway star. Keaton perhaps best
earned his laurels as a screenwriter and director, though; witness The General
(1927), a locomotion-chase, bona-fide moving picture teeming in visual gags on the
scale of a small nation. (LR)
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| MUSIC: Free Spazz |
The Flying Luttenbachers
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To many in the underground rock landscape of the mid to late '90s, Chicago seemed like the center of the universe. In the eye of the storm stood multi-instrumentalist Weasel Walter and a rotating cast of jazz/punk/metal upstarts that at one point included saxophonist Ken Vandermark. As the indie cognoscenti have perhaps moved on from Chicago, so too has Walter: he relocated to the Bay Area in 2003. The band members still change at will, but the Flying Luttenbachers' M.O. remains the same: spastic noise for short attention spans. (JK)
Note: The Flying Luttenbachers also play Tonic on Wed 8.9.
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 Want to plan further ahead? Check out our weekly updated list of upcoming events!
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| ART |
Freeing the Line
| when: |
Now through Fri 8.25 (Mon-Fri: 10am-6pm) |
| where: |
Marian Goodman Gallery (24 W 57th St, 4th Fl, 212.977.7160) map |
| price: |
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| links: |
Event Info |
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Gravity-defying lines soar in the latest show curated by Catherine de Zegher, where works from the '60s and '70s intermixed with
contemporary drawings seek to free line from its ground. The front gallery contains pieces made mostly of metal wire twisted
sometimes elegantly (Richard Tuttle and Karel Malich), other times rigidly (Gego and Joelle Tuerlinckx), but always to
create suspended gestures. Ranjani Shettar bedazzles a middle gallery with colored, rolled-wax nodes connected to a web-like
structure extending from ceiling almost to floor. The show's greatest moment, however, comes in the back gallery's far corner
where Monika Grzymala's miles of layered masking tape traverse a window, attaining celestial transparency and flight. (MC)
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| THEATRE |
The Lieutenant of Inishmore
| when: |
Now playing |
| where: |
Lyceum Theater (149 W 45th St, 212.239.6200) map |
| price: |
$71.25-91.25 |
| links: |
Event Info |
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Martin McDonagh's plays are so full of carnage they make Quentin Tarantino's
blood-fests look like kiddie flicks. After ravishing Broadway audiences with The Beauty Queen of Leenane and The Pillowman, the young, prolific Anglo-Irish
dramatist offers The Lieutenant of Inishmore, an engrossing — if
stomach-churning — comedy about a hapless bunch of would-be terrorists. The
slaying of an innocent cat is the catalyst for much blood splattering around the stage
while characters pontificate the idea of a free Ireland. The playwright's formal
structure, calculatingly blasé dialogue, and acerbic humor are in perfect
juxtaposition with the onstage violence and gore, forcing audiences to question the
morality behind fighting for peace, and to acknowledge their own morbid fascination
with blood. (SP)
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| THEATRE |
No Child
| when: |
Now through Jan 2007 (Tue-Fri: 8pm / Sat: 3 & 8pm / Sun: 3pm) |
| where: |
Barrow Street Theatre (27 Barrow St, 212.239.6200) map |
| price: |
$45 |
| links: |
Event Info |
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A boisterous cross between the immigrant pastiche of Sarah Jones' one-woman whirlwind, Bridge & Tunnel, and the fourth-wall deterioration of Thornton Wilder's poignant classic, Our Town, No Child explores, analyzes, and shames the New York public school system and Bush's No Child Left Behind act, while celebrating the hope and talent of a group of tenth-graders in a fictional Bronx school, Malcolm X High. Having spent time teaching drama in the Bronx herself, writer and actor Nilaja Sun offers astute observations on the lives and characters of each of the students, school staff, and educators she so energetically and endearingly impersonates. Directed by Hal Brooks (Thom Pain), the fast-paced play is an ode to teachers and thespians alike, proving at last that the show must go on. (LT)
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| FESTIVAL: Performance |
Spiegeltent
| when: |
Thur 8.3 - Sun 10.1 |
| where: |
South Street Seaport (Pier 17, 212.279.4200) map |
| price: |
Various |
| links: |
Event Info |
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More than a glorified Biergärten, the Spiegeltent is a gorgeous hand-hewn
pavilion, inspired by the early 20th-century traveling European dance and wine halls,
offering an array of cabaret, music, and performance arts. This summer-perfect affair
graces downtown's former Fulton Fish Market for two months of intoxicating
entertainment, intensified by a beer garden run by Heartland Brewery. In
Absinthe, Berlin cabaret meets New York vaudeville via a circus route, while
musical guests from Diamanda Galás to Duncan Sheik and Menlo Park compete with
Reverend Billy's political theatre, Lypsinka's drag fantasia, and the Wau Wau Sisters'
naughty acrobatics. P.S. 122 also adds some tantalizing contributions, including
avant-garde tango composer John Moran's latest opera and mysterious pop songs by
emerging American novelists. (SP)
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MASHING UP THE WORLD: My Life in the Bush of Ghosts remix site |
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When it was first released in 1981, Brian Eno and David Byrne's My Life in the Bush of Ghosts crystallized everything that was brilliantly right and potentially sloppy about "world music." But their magpie aesthetic also set the template for less-talented Western bohos to treat "ethnic" sounds like sonic MSG. Fifteen years later, to correspond with the album's re-release, the two superproducers have set up a companion website that allows users to download and remix all 24 tracks from two of the album's songs — "A Secret Life" and "Help Me Somebody." You have to register, but once that hurdle is cleared users can upload and share their own tracks. The results — everything from head-bopping, Endtroducing-style hip-hop to hypnotic Middle Eastern fare worthy of Muslimgauze — augment world music with a good dose of mashup aesthetics. (TW)
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CD REVIEW: Metallic Falcons, Desert Doughnuts |
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Voodoo-EROS
Released June 2006
$13.99 (Insound)
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An epic exercise in mood and foreboding, Metallic Falcons' Desert Doughnuts
traverses some truly unsettling emotional terrain. The band comprises CocoRosie's Sierra Cassidy (the operatic one, not the creaky one), Voodoo-EROS's
Matteah Baim, and a host of like-minded (read: batshit insane) guests including
Antony, Devendra, and Jana Hunter. The record itself is difficult to pigeonhole
— the Falcons call it "soft metal" — a swirling amalgam of Cocteau
Twins-ish fluttering, unintelligible vocals, watery guitars, incongruous trad-metal
riffs, children's songs, medieval chants, and hissy, lo-fi production. Desert
Donuts may not have CocoRosie's huggability, but what it lacks in cuddly quirk it
makes up in artistic depth, shifting from creeping dread to shimmering beauty in the
blink of a compound eye. (TG)
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MULTIMEDIA: BBC Collective |
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Not unlike another online cultural filter you know and love, the BBC Collective casts a wide net into the tempestuous sea of pop culture and ensnares only the best music, visual art, theatre, and books for your consumption. It's a bookmark of choice for its constantly updated features, interviews, podcasts, and artwork. This week, check out an interview with Sweden's Love Is All, complete with a live session and streaming full tracks from their debut LP, Nine Times That Same Song. Also highlighted is a live London performance from Six Organs of Admittance, as well as a new playlist packing fresh tracks from Kerrier District, Guillemots, and the Knife. (CJN)
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Love Is All: Live In-Session (Indie rock)
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Six Organs of Admittance: Live at the Scala (Free jazz/electronic)
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Various Artists: Collective Playlist (Eclectic)
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| Header Design: |
| A blank canvas | Tez Humphreys |
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| Editors: |
| Justin Theroux | Irene Bradish | | Ella Fitzgerald | Jocelyn K. Glei | | Symmetry | Ardalan Keramati | | Shannyn Sossamon | Jake Lancaster | | Sleep | Doug Levy | | Cold beer | Sascha Lewis | | Sydney Opera House | Andrew Maerkle | | Sophia Loren | Mark Mangan | | Princess Leia | Colin J. Nagy | | Sweet revenge | Stephan Paschalides | | Peony | Lisa Rosman | | Mission burrito | Jon Schultz | | Burt Reynolds | Joshua D. Stein | | An AC | Leah Taylor |
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| ABOUT US |
| Flavorpill NYC is a free weekly email magazine covering cultural happenings across art, music, film, theatre, dance, literature, and DJ events. All content is produced by a local team of writers in NYC. We don't include sold out events, and all listings are pure editorial — no money is accepted from venues, artists, or promoters. Read more about us. |
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| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
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| EVENT & DESIGN SUBMISSIONS |
To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
To find out more about submitting cover art to run at the top of Flavorpill publications, go to flavorpill.net/design. |
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| Contributors: |
| Angkor Wat | Chelsea Bauch | | 6 o'clock | Mindy Bond | | Ziyi Zhang | Justin R. Charles | | Kyle Minogue | Morgan Croney | | Nigel Barker | Rachel B. Doyle | | Reflection | Josh C. Forbes | | Puppies | Jules W. Gaffney | | Dusk | Leigh Goldstein | | Dakota Fanning | Todd Goldstein | | Spring | Gin K. Hsu | | The sea | Paddy Johnson | | Jane March | Jonathan Knapp | | Peaches | Joshua D. Stein | | The Morgan Library | Toby Warner |
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Production: |
| Glenmorangie Port Wood 10 Year | Anj | | |