 |
|
 |
| |
|
|
 |
 Igor Krenz |
Cultural Stimuli in NYC
Issue 343: legacy flavor
Though the 2006 year-in-reviews have already begun to smell a little moldy, it's hard not to dwell on some lessons that the past year in culture taught us. Given the musical inheritance left to artists by James Brown, nobody has an excuse to fake the funk. Robert Altman's passing reminded us that the renegade Hollywood director is very much an endangered species. We'll always have the Godfather's music on the hi-fi, and our Altman fix can be sated this week with a grand retrospective of his best work at the IFC Center. Looking forward to the clean slate that is 2007, we see maverick artists holding it down at anything-goes technoid party the Bunker's four-year anniversary, a Polish video-art happening at Orchard, fresh monthlong series the Independents Festival — highlighting boundary-busting music labels — and new biweekly rawkster summit the Pull-Out Method. Elsewhere onstage we get treated to Fresh Tracks, a taster menu of promising choreographers at the Dance Theater Workshop. Gear up for 363 more days of tantalizing cultural possibilities, and spread it.
- Jake Lancaster, Managing Editor
|
|
Flavorpill NYC is an email magazine covering a hand-picked selection of music, art, and cultural events — delivered each Tuesday afternoon.
|
|
|
|
 |
|
In 2006, Flavorpill hand-picked seven emerging designers to interpret the Budweiser Select brand and create unique artwork for the Select Flavor project. Now, great creative efforts have been expended, all the entries are in, and it's time for you to Select. Go to www.selectflavor.com to vote for your favorite designer! |
|
|
|
 |
| ART: Animation |
Ezra Johnson: What Visions Burn & What Birds Remember If They Do Remember
| when: |
Now through Sat 1.6 (Tue-Sat: 10am-6pm) |
| where: |
Nicole Klagsbrun Gallery (526 W 26th St, Rm 213, 212.243.3335) map |
| price: |
 |
| links: |
Event Info |
|
|
Building upon the tradition of William Kentridge's drawn animations, Ezra Johnson creates
epic moving images by collaging paintings, drawings, and photographs. What Birds Remember
If They Do Remember is a 28-minute film guided by the flight of birds. An eagle, for
example, serves to transition from a scene of a motorcade to the set of a pornographic movie.
The animation doesn't follow a strictly linear narrative, but uses the juxtaposition of the
natural and fabricated to create a uniquely American landscape. By contrast, the beautiful
23-minute What Visions Burn employs a more constructed chronicling, depicting an
elaborate art heist. Both works are connected by Johnson's uniquely seductive formal
aesthetic, and the themes of surveillance and danger. (PJ)
|
|
| FESTIVAL |
Culturemart 2007
| when: |
Now through Sun 1.28 (daily: 8:30pm) |
| where: |
HERE Arts Center (145 6th Ave, 212.647.0202) map |
| price: |
$15 |
| links: |
Event Info |
|
|
Based on the belief that a single art form is unable to represent the manic intake of
images, sounds, and feelings we experience daily, the annual Culturemart blurs the lines
between the various genres of performing and visual arts. Throughout January, the
festival presents 18 new hybrid works by an array of emerging talents. Highlights include
Routine Hearing, an interactive piece that showcases sound bites from this century's
great political orators; The Food Project, a look into the relationship between
Americans and what we eat; and Drum of the Waves of Horikawa, a bizarre marriage of
kabuki theatre and 1970s punk. (SP)
|
|
| FILM |
Sacrifice/Leper/Sky Burial
| when: |
Wed 1.3 - Tue 1.9 (1, 2:45, 4:30, 6:15, 8 & 10pm) |
| where: |
Film Forum (209 W Houston St, 212.727.8110) map |
| price: |
$10 |
| links: |
Event Info |
|
|
The subjects of Ellen Bruno's documentary triptych Sacrifice/Leper/Sky Burial are all at the farthest margins of society. The Burmese prostitutes in the first film are bitter, broken, and resigned to their place in the world, while the residents of a Nepalese leper colony in the second piece have found hope and love among their fellow outcasts. In the final film, the ritual of dismembering the dead and feeding them to vultures comforts Tibetans who view this act as a sacred continuation of the cycle of life. These gritty yet ethereal films seem not aimed at shocking viewers into humanitarian action, but rather at revealing the delusion of our cloistered Western sensibilities. (GM)
Note: Tonight's 8pm screening is followed by a Q&A with filmmaker Ellen Bruno.
 In what year did war between China and Tibet first break out? The third correct response wins a pair of tickets to the 6:15pm screening on Thur 1.4.
|
|
|
 |
| ART: Opening |
Stephen G. Rhodes: RECURRENCY
| when: |
Thur 1.4 (6-8pm) |
| where: |
Guild & Greyshkul (28 Wooster St, 212.625.9224) map |
| price: |
|
| links: |
Event Info |
|
|
Stephen G. Rhodes is a young artist working in the venerable LA tradition of smart, funny sculpture, à la West Coast impresarios Mike Kelley and Evan Holloway. For his New York solo debut, the Louisiana native revisits a 1962 short-film adaptation of Ambrose Bierce's Civil War story "An Occurrence at Owl Creek Bridge," the tale of a soldier who believes, wrongly, that he's been freed in the process of a botched hanging. In the gallery, three gallows-like structures support battered green screens, and from one of the platforms, two synchronized videos are projected onto the gallery wall. Rhodes' continuously looped videos show the soldier permanently suspended in the moments before his death. (HGM)
Note: This exhibition continues through Wed 2.10 (Tue-Sat: 11am-6pm).
|
|
| ALSO ON THUR |
|
DANCE
Fresh Tracks
Thur 1.4 - Sat 1.6 (7:30pm) Dance Theater Workshop (219 W 19th St, 212.691.6500) map $20
Event Info
|
|
Featuring works by emerging artists selected through open auditions, Fresh Tracks is
Dance Theater Workshop's longest running and highly respected series of new dance and
performance, and provides an opportunity to sample the works of local up-and-coming
choreographers. (SP)
Before the move to 19th Street, where did DTW founder Jeff Duncan first hold rehearsals and performances? The fifth and sixth correct responses each win a pair of tickets to this event.
 
|
|
|
|
 |
| FILM |
An Artist and a Gambler: Robert Altman Remembered
| when: |
Fri 1.5 - Tue 1.23 |
| where: |
IFC Center (323 6th Ave, 212.924.7771) map |
| price: |
$10.75 |
| links: |
Event Info |
|
|
By the time most great directors finally head to that big studio in the sky, only their
truly fervent acolytes are even aware they're still alive. Not so with that oft-imitated but
utterly unparalleled master of the ensemble film, Robert Altman (1925-2006), whose
six-decade career hadn't even begun to dwindle when he died late last year. The IFC Center's
25-movie retrospective of his finest work (omitting his occasional lemons) promises to be as
storied and rich as the films themselves — including M*A*S*H (1970), Nashville (1975), Short Cuts (1993), and his last but not least, 2006's A
Prairie Home Companion. (LR)
|
|
| DJ |
The Bunker Four-Year Anniversary feat. DJ /rupture w/ Maga Bo, Klevervice, Timeblind, and DJ Movement
|
|
Maga Bo first turned heads with a fiery Blentwell mix, and now his Confusion of
Tongues has been snapped up by DJ /rupture's Soot label. The mixtape's dub-savvy,
post-jungle diasporic boom-bap is on blast tonight, with the globetrotting Bo on the decks.
Look for him to flip out solos into hooks for funk carioca, then slap an a capella
he's recorded with MCs in Dakar or Dar es Salaam over that. If such an ambitious sonic cocktail sounds
familiar, then you need no introduction to DJ /rupture. Just off a tour with the Ex, /rupture
headlines tonight's sound clash with his signature strain of outernational bounce. (TW)
|
|
| MUSIC: BiWeekly Party |
The Pull-Out Method feat. Other Passengers w/ Vampire Weekend and DJ Dominique Keegan
|
|
With its dirty chuckle of a name and buzzy lineup, the inaugural installment of the Pull-Out Method — an every-other-Friday late-nighter courtesy of a cabal of savvy locals including Flavorpill editrix Leah Taylor and MyOpenBar.com field analyst Rachel Doyle — is one of those parties that not-so-subtly begs a certain degree of, erm, indiscretion on its participants' part (read: get hammered). While the Glass' Dominique Keegan spins dance records throughout the night, the excruciatingly apple-cheeked Vampire Weekend open with concise, Voxtrot-meets-Graceland pop nugs that just barely contain their youthful, Columbia-bred glee, and Other Passengers headline with apocalyptic (yet eyeliner-free) post-punk. Clearly, a party poised, turgid, over your cultural vagine. (TG)
What year did the FDA approve the first home pregnancy test? The ninth correct response wins a bottle of something delicious and alcoholic (just be sure you're at least 21).
|
|
| ALSO ON FRI |
|
MUSIC: Post-Waitsian
Man Man w/ Mixel Pixel and Plastic Little
Fri 1.5 (10pm) Bowery Ballroom (6 Delancey St, 212.533.2111) map $14
Event Info
|
|
Man Man's recorded output may challenge those without a clear appreciation for Waits and
Beefheart, but the Philly quintet's live show is instantly enjoyable — a raucous,
theatrical outburst that's equal parts bravado and dementia. (JPC)
What is Tom Waits' favorite sound? The third correct response wins a pair of tickets to this show.
|
|
|
|
 |
| FILM |
8th Annual New York Film Critics Series: Great Documentaries
| when: |
Sat 1.6 - Sun 2.11 |
| where: |
Museum of the Moving Image (35th Ave at 36th St, Astoria, 718.784.0077) map |
| price: |
$10 |
| links: |
Event Info |
|
|
While 'tis true that the overall quality of film is in serious flux right now, the gold
standard of documentaries has yet to be compromised — a gloried fact that the Museum
of the Moving Image heralds this year in its spot-on annual New York film-critic series. Highlights
include Matt Zoller Seitz (New York Press) presenting the Maysles Brothers' seminal,
dark-hearted Salesman (1968); Thelma Adams (Us Weekly) excavating The Last
Waltz (1978), Martin Scorsese's paean to the Band; Kyle Smith (New York Post)
introducing Werner Herzog's sly-eyed 2005 Grizzly Man; and John Anderson
(Newsday) wandering through the navel of Terry Zwigoff's 1994 cult classic, Crumb. (LR)
|
|
| PARTY |
Target First Saturdays
| when: |
Sat 1.6 (5-11pm) |
| where: |
Brooklyn Museum of Art (200 Eastern Pkwy, Bklyn, 718.638.5000) map |
| price: |
|
| links: |
Event Info |
|
|
It might be hyperbolic (just barely) to say that you could experience the breadth of
mankind's cultural achievements at the Brooklyn Museum's First Saturdays. But for proof, witness the
physical dexterity of guitarist Stephane Wrembel (6pm), whose finger-picking earns him comparisons
to Django Reinhardt; tour Walton Ford's incredibly detailed watercolors of flora and fauna, which slyly parody John James Audubon's natural-history portraits of the Victorian era (7pm); and waltz through the night at the Winter Ball (9pm), featuring the
Vienna Festival Orchestra. By far, though, the artistic pinnacle frontloads tonight's event
at 5pm with The Muppets Take Manhattan (1984), a film in which confections of felt
and googly eyes teach the world how to love and live and sing. (JDS)
|
|
| ART: Opening |
Paulina Olowska: Nowa Scena
|
|
Mixing the radical aesthetic agendas of punk, socialism, and high modernism, Polish painter,
sculptor, and performance artist Paulina Olowska's new paintings and collages are rife with
creative contradictions. Not Yet Titled features the marquee of jazz
and coffee venue Nowa Scena, a black-and-white photograph of a confidently posed woman, and
smatterings of political posters, partially obscured by paint. The works' content is
derived from two publications at the heart of the Cold War propaganda campaign: USSR/Soviet
Life, a Soviet publication designed for an American audience, and Amerika, a USIA
publication distributed in Soviet countries. Olowska employs punk imagery as an intermediary
antagonist to both Cold War teams; she's even a produced a fanzine of Polish punk, her own
efforts at propaganda. (HGM)
Note: This exhibition continues through Sat 2.3 (Tue-Sat: 10am-6pm).
|
|
| MUSIC: Howling Country |
Tim Fite w/ O'Death and Beat the Devil
|
|
Union Hall is all twanged-out tonight. Brooklyn good ol' boys O'Death bring boozy
goth-country, complete with furious fiddling, back-porch banjos, and an arsenal of bar-room
sing-a-long tunes that sound more West Virginia than Williamsburg. LES trio Beat the Devil
combine the foreboding, eerie sounds of the harmonium with the lilting and often menacing
vocals of snarling lead singer Shilpa Ray. Master recycler Tim Fite takes the stage with his
quasi-country pop, creating accessible yet deeply bluesy rock (with touches of folk,
hip-hop, and more than a few expletives) from looped samples culled from old dollar-bin CDs.
(LT)
Which of tonight's bands owes its name in part to Truman Capote? The third correct response wins a pair of tickets to this show.
|
|
| ALSO ON SAT |
|
MUSIC: Noise Rock
Black Dice w/ Sightings and Excepter
Sat 1.6 (9:30pm) Bowery Ballroom (6 Delancey St, 212.533.2111) map $15 / $13 advance
Event Info
|
|
Black Dice channel their former fightcore impulses through every conceivable pedal effect, modulator, and synthesizer,
squelching out fluorescent industrial noise. Tonight, Bowery Ballroom dials to the tech-detritus sound system. (MG)
With which band have Black Dice regularly held listening parties to celebrate the release of new material? The second correct response wins a pair of tickets to this show.
|
|
|
|
 |
| ART: Opening |
Polish Socialist Conceptualism of the '70s
| when: |
Sun 1.7 (6-8pm) |
| where: |
Orchard (47 Orchard St, 212.219.1061) map |
| price: |
|
| links: |
Event Info |
|
|
Orchard, a cooperatively owned gallery, presents '70s Polish avant-gardists of the Soc Art
movement — Communist Party members who were looking to reform the Party from within by
re-imagining the relationship between art and politics. The exhibition is hardly historical;
using performance and film, Soc Art sought to redefine the relationship between individuals
and the dominant ideology (then communism, later capitalism). The films of Anastazy Wiśniewski, Pawel Kwiek, and the duo Zofia Kulik and Przemyslaw Kwiek (as KwieKulik) are
filled with an optimism about how to transform political events into liberating social experiments. An issue of Pitkogram, a Polish-English art magazine, accompanies the
exhibition. (HGM)
Note: This exhibition continues through Sun 1.28 (Thur-Sun: 1-6pm).
|
|
|
 |
| COMEDY |
The O'Debra Twins' Show and Tell
|
|
This is no second-grade show and tell, folks. And no second-rate open mic, either. Every Monday, the raunchy and
altogether schizophrenic O'Debra Twins host four-and-a-half hours of anything-goes comedy. Performers are picked via
lottery and given "seven minutes in heaven" to shock, awe, and otherwise entertain the audience. Beer, in the form of a nightly "beer walk" (the Twins' twist on a cakewalk), and maxi pads, the prize of their varied contests (i.e. "Which One of Us Looks More like Reba McIntyre"), add to the shambolic fun, as hilarious downtown performers, comics, and
artists ranging from Rob Shapiro and Jason Trachtenberg to Jessica Delfino take the stage. (LT)
|
|
|
 |
 Want to plan further ahead? Check out our weekly updated list of upcoming events!
|
|
| FILM |
Pan's Labyrinth
| when: |
Now playing |
| where: |
Various locations |
| price: |
$10.75 |
| links: |
Pan's Labyrinth |
|
|
Stoic, potent, and unspeakably lovely, Pan's Labyrinth is that rare film about
children that never loses sight of the utter gravity of childhood. The protagonist, 12-year-old Ofelia, is practically orphaned in rural Spain immediately after its Civil War, with nothing but a
nefarious stepfather and a trusted book of fables to guide her through the wilds of her
imagination and the even greater wilds of the adult world. Director Guillermo del Toro
(Hellboy, Blade II) applies his ability to render horror palatable for the
Rest of Us to this neo-fairytale, which boasts a bear of a (Brothers) Grimm sensibility and
whimsy that never sacrifices its subject. (LR)
|
|
| ART |
Sue de Beer: The Quickening
| when: |
Now through Wed 1.10 (Tue-Sat: 10am-6pm) |
| where: |
Marianne Boesky Gallery (509 W 24th St, 212.680.9889) map |
| price: |
|
| links: |
Event Info |
|
|
Sue de Beer usually makes lush, sexy, frightening films based on female adolescence, but
here she shifts to an exploration of the repression and release of a grown woman living in
1740s Connecticut. Manipulating montage, dream sequences, and nonsensical time and place,
the artist presents disjointed cinematic scenarios more than a true plot. Psychedelic
scenes pop up, as does a man playing with an inexplicable dream machine. The protagonist's
tragic story romances as much as it disturbs — her pretty face, form, and free-flowing
crimson blood make for beautiful imagery, and a heartbeat soundtrack adds visceral intimacy.
As the narrator says at the film's close, "Beauty lives only in mystery — beauty is
the mystery." (LM)
|
|
| ART |
Queens International 2006: Everything All at Once
| when: |
Now through Sun 1.14 (Wed-Fri: 10am-5pm / Sat & Sun: 12-5pm) |
| where: |
Queens Museum of Art (Flushing Meadows Corona Park, Queens, 718.592.9700) map |
| price: |
$5 suggested donation |
| links: |
Event Info |
|
|
The Queens International brings myriad kinds of art together into one exhibition: ambitious,
homespun projects hang comfortably next to sleek, contemporary works. Alejandro Almanza
Pereda's installation Untitled (chest of drawers) is a massive and dangerous work; a chest of drawers, supported by ropes tied to a stack of cinderblocks on a distant wall, balances on top of a 20-foot-tall piece of wood, which rests against a small table and carpet on the floor. The World in a Picture / The World in a Borough is a
photography exhibition in which 38 artists capture aspects of daily
life. Sookjin Suh's photograph of the Utopia Pharmacy in Flushing, its façade glowing, sums
up the rampant local pride. (HGM)
|
|
| MUSIC: Indie Everything |
The Independents Festival
| when: |
Thur 1.4 - Sun 1.28 |
| where: |
Issue Project Room (400 Carroll St, Bklyn, 718.330.0313) map |
| price: |
$15 |
| links: |
Event Info |
|
|
Gowanus outpost Issue Project Room hosts seven of the finest independent — and often
microscopically specialized — record labels in the country for the month of January.
Performances include Fried fingerpicker Sir Richard Bishop bumping up against No Neck Blues
Band's ambling uptown holler (Sat 1.14); Ecstatic Peace's usual suspects Thurston and Lee
paving the road for Christina Carter's sparse, acoustic meanderings (Wed 1.18 & Thur 1.19);
Family Vineyard presenting Jessica Rylan's fizzled, damaged-synthesizer intonations, along with Gandalf-bearded blower Paul Flaherty's throbbing sax destruction
(Sat 1.20). All told, more than 50 artists stake a claim for the most vibrant sounds of the
American underground. (MG)
|
|
| ALSO ONGOING/UPCOMING |
|
FILM
Army of Shadows (1969)
Now through Thur 1.11 (1, 3:45, 6:45 & 9:30pm) Film Forum (209 W Houston St, 212.727.8110) map $10.50
Event Info
|
|
Set during WWII, this politico-thriller tracks a French Resistance leader who is double-crossed by the Gestapo and then seeks vengeance. But with all its gorgeously inky tones, shady men up to no good, and ambiguous codes of morality, Jean-Pierre Melville's 1969 film is best appreciated as an homage to film noir. (JRC)
|
|
|
MUSIC: Upcoming
The Arcade Fire
Tue 2.13 - Sat 2.17 (8pm) Judson Memorial Church (55 Washington Sq S, 212.477.0351) map $29
Event Info
|
|
The indie-rock quintet that jump-started Montreal's music coup back in '04 finally returns to NYC. These five alternative
venue shows will likely sell out immediately, so get tix early — before super-fans like Byrne and Bowie snatch them
all. (LT)
Note: Tickets go on sale Fri 1.5 (9am). For a heads up on other events on the horizon, be sure to check out our Upcoming page.
|
|
|
|
 |
| |
GOING MY WAY?: Hitchsters.com |
 |
|
Finding enough travel-sized toiletries to fit into your FAA-regulation Ziplocs makes air
travel hard enough, but toting suitcases on the AirTrain or facing exorbitant cab fares just make
it annoying. Share the burden and expense with other city jet-setters using Hitchsters.com.
Just enter your destination a few days in advance — along with your street address,
email, and cell-phone number — and Hitchsters sends you the name (first only for
privacy) and mobile number of a potential carpooler. Then just ring the number, show up on
time at your agreed destination, and split the cost of the ride. Hitchster doesn't pair up
passengers in the outer boroughs yet, but until they do, a quick and easy trip to JFK, La
Guardia, and even Newark is only a mouse-click away for Manhattanites. (IB)
|
|
| |
|
| |
CD REVIEW: The Brother Kite, Waiting for the Time to Be Right |
|
|
Clairecords
Released September 2006
$14.99 (Insound)
|
Neo-shoegaze may have been the 2006 mini-trend with the most consistently satisfying releases, from Serena Maneesh's noisy
Sonic Youth-ery to Asobi Seksu's honey-dripping melodies and Mew's widescreen prog. Add to that glistening canon
Providence, Rhode Island's the Brother Kite, who bathe smart, Beach Boys-styled power-pop in murky early-'90s ambience. Waiting
for the Time to Be Right strikes a summery, happy-sad tone, with feedback and echo lurking beneath modest verses only
to gush forth over chorus after gigantic chorus. Relatively straightforward pop-rock tunes like "I'm Not the Only One" balance
elliptical songs with multiple modulations — as on the giddy, Byrds-by-way-of-Ride standout "Get On, Me." Time stops for the
album's title track, in which multi-layered harmonies and acres of reverb elevate a sweet, stately ballad into a
latter-day teenage symphony. (TG)
|
|
| |
|
| |
STREAMS: Daytrotter |
|
|
Founded by veteran independent music journalist Sean Moeller, Daytrotter was born partly out of his frustration with having to hound editors to get new acts covered. While there's no shortage of music sites on the web and ever-expanding blogosphere, the site differentiates itself from others hunting new bands and musical trends by offering exclusive recordings in the mold of John Peel's famed Maida Vale sessions. Bands passing through on nationwide tours stop by the publication's Illinois-based studios and lay down exclusive cuts to analogue tape. Check out installments from Sunset Rubdown, Bonnie Prince Billy, Mates of State, and the Changes, and don't miss the ever-expanding cache of features and reviews. (CJN)
|
|
| |
|
|
 |
| |
| |
| Header Design: |
| Igor Krenz |
| |
| Editors: |
| Anna Balkrishna | | Irene Bradish | | Jocelyn K. Glei | | Jake Lancaster | | Doug Levy | | Sascha Lewis | | Mark Mangan | | H.G. Masters | | Colin J. Nagy | | Stephan Paschalides | | Lisa Rosman | | Jon Schultz | | Leah Taylor |
| |
| ABOUT US |
| Flavorpill NYC is a free weekly email magazine covering cultural happenings across art, music, film, theatre, dance, literature, and DJ events. All content is produced by a local team of writers in NYC. We don't include sold out events, and all listings are pure editorial — no money is accepted from venues, artists, or promoters. Read more about us. |
| |
| FEEDBACK |
| Please let us know what's on your mind, any and all feedback — comments, questions, ideas, or rants. |
| |
| EVENT & DESIGN SUBMISSIONS |
To let us know about an upcoming event that you think belongs here, please email us at events at least two weeks prior to the date.
To find out more about submitting cover art to run at the top of Flavorpill publications, go to flavorpill.net/design. |
| |
| |
|
|
| | |
| Contributors: |
| Justin R. Charles | | Joe P. Colly | | Marc Gilman | | Todd Goldstein | | Paddy Johnson | | Gerry Mak | | Lauren McKee | | Joshua D. Stein | | Toby Warner |
| |
| Production: |
| Anjuli Ayer | | Chelsea Bauch | | Jessica Bauer-Greene | | Morgan Croney | | Myla Dalbesio | | Josh Deeden | | Jasmine Loignon | | Judah Wiedre | | Joel Withrow |
| |
| MEDIA PARTNERSHIPS |
| Every week, Flavorpill NYC presents one exclusive media partner. Click for more information about advertising opportunities on all Flavorpill publications. |
| |
| FLAVORPILL + CURRENT TV + YOU |
We've teamed up with Current TV to invite you to create videos about the culture that matters. Hit our page at current.tv/flavorpill to get the skinny on how to participate, and potentially see your piece aired on TV to millions of viewers.
 |
| |
|
|
|
|
| |
 |
Hi-fidelity updates
A twice-monthly email magazine highlighting the latest in electronic music — including news, reviews, and original features
|
 |
Books worth reading
A monthly review focusing on smart, readable works of fiction and nonfiction, from current titles to past gems
|
 |
Global fashion trends
A twice-monthly, insider view on fashion trends breaking in Paris, London, New York, and around the world
|
 |
International art
A twice-monthly email magazine covering art, design, and architecture with profiles, news, and reviews of international shows
|
 |
World news once a week
A weekly roundup of the most important and engaging news stories from around the globe
|
|
|
 |
|
 |
|
© 2007 Flavorpill Productions LLC. All rights reserved.
This is a copy of a Flavorpill NYC mailer. Use the link above to subscribe or click to automatically UNSUBSCRIBE. Flavorpill Productions complies with the CAN-SPAM Act of 2003. For more information, please read our PRIVACY POLICY. If you have any questions about subscription to this list, contact us at nyc_subscriptions@flavorpill.net (HQ: 594 Broadway, Ste 1212, NY, NY 10012).
|
|
|